Staley/von Erffa Benjamin West Archive, 1940-2000 (51 boxes, 17 lin. feet) Collection 3000
©
The Historical Society of Pennsylvania
1300 Locust Street * Philadelphia, PA 19107 |
Table of contents
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Abstract
The papers in this collection are the working notes, correspondence and other documentation compiled by Drs. Helmut von Erffa and Allen Staley in preparing The Paintings of Benjamin West (New Haven and London: Yale University Press, 1986), the catalogue raisonné of this eighteenth century, American-born artist. In 1976 Staley was invited to complete the catalogue project originally begun by von Erffa in 1951. Unfortunately, any hope of a collaboration was cut short by von Erffa's death in 1979. As a result, these papers reflect the individual efforts of two art historians rather than a collection of collaborative materials, documenting almost sixty years of research. Although von Erffa and Staley did not work together on this project, this collection nonetheless reveals a sharing of information. Some of von Erffa's correspondence can be found in Staley's files, indicating how the younger scholar built upon the work of his predecessor. The 606-page catalogue that resulted from their extensive research contains 739 entries and was funded by the Barra Foundation.
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Box (Boxes 1-3) | |||||||||||||||
The first subseries, Private Collectors, Scholars, Dealers, et al., 1944-1976, is in its original order and thus arranged alphabetically by the individual's surname,
with some exceptions. Various topics covered in this correspondence include attribution inquiries and solicitations to purchase West-related items. Several letters are in German. Of particular interest are the letters between von Erffa and the historian James Thomas Flexner.
The second subseries, Public Institutions, 1944-1977, also in its original order, deals with museums, universities and auction houses. This correspondence is filed alphabetically by city. Christies is an exception, filed under "C." Topics covered include exhibition announcements, requests for photo or print reproductions of works by West or other artists influenced by West, and questions of attribution.
Subseries 3, Author's Query, 1951, 1958, 1960, deals with correspondence to and from various publications in which von Erffa submitted requests to readers for any information regarding Benjamin West.
The fourth subseries, Graduate Students Writing on West-related Topics, 1976, n.d., consists of several letters written to von Erffa because of his expertise on Benjamin West and the art of that period.
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Box (Boxes 3-6) | |||||||||||||||
Within the Subjects of Paintings subseries, the "classical" folder contains only notes to literary sources, rather than a specific painting by West of a classical subject. The "religious" folder deals with only one of West's religious works, specifically his designs for the Four Dispensations of Revealed Religion for the Royal Chapel at Windsor.
Unusual but nonetheless relevant topics are briefly addressed in the Provenance and Attribution Issues subseries. While one file pertains to private and public collection holders confirming they do not have any works by West, another deals with one painting that was incorrectly attributed not only to West but to the artist Edward Bird as well. Certain material is restricted until January 1, 2025.
The third subgroup, Influence of Other Artists, documents West's belief in the need to study earlier masters and other artists. The material in the fourth subgroup, Primary Research Sources, is in its original order and consists of references to or complete photostats of contemporary published materials. A copy of von Erffa's alphabetical index to these papers is in the first folder, however, the index lists more sources than are actually documented here. The "Xerox" list also included in the first folder was not part of these papers but was added since it appears to list the same documents. The West letters at Haverford College Library have also been included in this subgroup and filed under "W." As originally filed, these papers are alphabetically sorted in various ways - by individual, by research facility or by publication title. In one case, the material regarding the Hamilton papers at the Library of Congress is filed under "W" as von Erffa apparently considered them to be and noted them as "worthless."
The fifth subseries, Bibliography, is the most difficult to decipher because of the brevity of many of the notations. Included are references either to studies of West
or general art historical studies. The Archives of American Art folder appears to be citations to HSP collections, but exactly which collection is unclear as none are specifically noted except "Gratz Coll." Copies of bibliographies from other West studies are in the fourth folder. Some of these, however, do not note the title of the study.
Miscellaneous Topics consists of research material for more general or indirectly related topics to the study of Benjamin West. Topics in this subseries ranges from working notes on various artists and the use of realism and nature in art to book reviews of studies of George III and von Erffa's research travel plans.
The Reproductions subseries consists of 11 subgroups, all dealing with the acquisition of reprints of works by West or related artists. The first is von Erffa's original correspondence file, alphabetically arranged, dealing with correspondence between him and DeCapo Press/Plenum Publishing and between those individuals or institutions holding works by West and Plenum Publishing. This correspondence deals with granting permission to reproduce images. Certain material is restricted until January 1, 2025.
The bulk of material processed as Drafts of Catalogue are three typescript volumes, with paintings arranged by subject category. Some of von Erffa's earliest musings on the subject can be found in the folder containing notes on introductory chapters, objectives and catalogue outline.
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Box (Boxes 6-7) | |||||||||||||||
This series consists of von Erffa's earlier West projects conducted during the 1950s and 1960s. Most of the folders in this series contain von Erffa's drafts and related correspondence. Each study is listed separately in the inventory. The folders regarding von Erffa's rejected proposal for an Art Bulletin catalogue and his involvement with an exhibition catalogue for James Graham & Sons contain correspondence only.
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Box (Boxes 8-10) | |||||||||||||||
Most of von Erffa's cards deal with specific catalogue topics and are divided into nine subseries. All group headings, with the exception of "Contacts," are those von Erffa assigned. The first group of index cards, West Paintings Arranged by Subject, appear to be von Erffa's earliest compilation of catalogue entries. The first card to this group notes that this compilation was begun in 1945 and is based on the paintings and drawings by West listed in Galt's 1820 catalogue and those from the 1938 West exhibition at the Philadelphia Museum of Art. The cards are divided by subject, with one painting title per card. Compared to the catalogue format, some of the subject categories in this series are further defined. Historical subjects are divided into the subgroups of ancient and modern history, and the New Testament is further divided into scenes regarding the Nativity, Miracles and Passion of Christ. Poetry is also a separate category here. Some paintings have multiple cards as its information warrants. General catalogue information is given for most entries, including: title, date, size, Galt page reference, exhibition history, current location, and illustrated sources. Some entries appear to include provenance history as well as
other observations by von Erffa. An envelope of unfiled cards of various subjects are inserted at the end of this group.
Next are cards regarding engravings and drawings. These are also divided by subject.
The other subseries of von Erffa's index cards includes a Listing of Titles divided chronologically by the decade in which each was exhibited, from 1764 to 1819. Based on these dates, these are works exhibited during West's lifetime.
Other index card groups, such as Sales Catalogues and Notes on Some of West's Paintings have only a handful of cards.
Notes on Men and Events around B. West is misleading as most of these cards refer to people whom von Erffa contacted and only the last five cards appear to refer to individuals contemporary with West.
The Contacts cards are similar in information content to an office rolodex. Most note an institution's contact name, address, and phone number.
Bibliography cards refer to published works regarding West and related topics. Most of these studies are listed alphabetically by author.
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Box (Boxes 10-13). | |||||||||||||||
Like Staley's other documentation (described below), most of his index cards relate to specific catalogue issues. Used in combination, these various groups of cards closely reflect all the information provided in the catalogue, except for the entry narratives.
Catalogue Abbreviations corresponds with the bibliographic reference sources used throughout the catalogue entries and cited in full at the end of the book.
Other Bibliography lists approximately thirty sources not cited in the catalogue but relevant to this study.
Provenance by Collection Type reflects the general division of these cards, such as Public Institutions-US. Each card notes a specific collection as well as the paintings in that collection. Certain material is restricted until January 1, 2025.
The next group of index cards is Unidentified. Arranged alphabetically by surname, each card notes an individual, a number and a date, which would appear to represent a private collector, a catalogue entry number and the acquisition date. However, not every card date agrees with that particular entry's provenance history date. Many of these cards also include additional codes or grades, none of which are explained.
Reproductions consists of approximately seventy index cards that appear to note the availability and quality of reproductions by institution and private collector.
The next subseries of approximately 250 yellow index cards also deals with Provenance. However, rather than divide the collections by type, as in the previous provenance subseries, these cards are listed alphabetically by proper name, with no separation between individual or institution. Arranged by collector name, each card also lists the paintings held by that individual or institution, a code to its subject category and place in the catalogue (i.e. "NT53" represents the fifty-third entry of New Testament paintings) and the date that particular person or institution held the painting. Apparently, this was an earlier working list since some of the holdings dated as "present" no longer are correct when compared to the catalogue. (Example: the William Abercromby portrait is no longer in a private collection. Its location is now unknown).
The final subseries, Subjects (multiple cards per entry) is the most extensive and is similar to each painting's catalogue entry. Like the catalogue, these cards are arranged by subject. However, apparently following the format von Erffa used in Series 4, the subject categories of History and New Testament are divided further into specific subcategories. The first six cards serve as a key and explain the arrangement of the subseries. Cards for each painting are color-coded to represent the different types of information relating to that particular work. The code is as follows: (a) orange index cards signify that the painting was exhibited before West's death in 1820 and note the appropriate exhibition and date; (b) green cards signify that the work was listed in one of the four catalogues published during his lifetime or the one published by Galt in 1821; (c) white cards list any sales and exhibitions after 1820; (d) blue cards cite the known finished version, its size, location, and any engravings of the image; (e) the next white card appears to recap most of this information; and (f) white cards with yellow stripes in the upper right corner detail any engravings made of that image. Most of the cards are also coded with its subject category and place in the catalogue, like those in the preceding subseries. Many also include a "VE#" code. This probably refers to a draft typescript by von Erffa that is not included in this collection since none of his drafts in the collection include numbered painting entries.
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Box (Boxes 14-32). | |||||||||||||||
As its title suggests, this series most closely resembles the format of the published catalogue (excluding the introductory chapters), and could be considered a draft of the 400-plus pages of entries. There is a folder of research material for every painting listed in the catalogue. However, if there are several paintings of the same subject, all are covered in one folder.
A photocopy of the front of Staley's original folder has been included because of the additional information it provides. These folder notations include: the title of the painting, or some version of the title; the catalogue entry number; and a subject code indicating the painting's general subject and its placement within that subject category. Other information includes: the present location of the painting; comments on the status of available reproductions; and, as on the index cards, a "VE#" code.
As in Series 4 and 5, the Historical subject category in this series is divided into Ancient, English and Modern history and the categories of Mythology and Literature each include a subcategory of Poetry. Although the published catalogue does not note these subdivisions, the paintings are in the same placement order so that the catalogue entry numbers noted on the folder covers are in numerical order as well.
The materials within the folders make evident Staley's use of his former colleague's earlier research efforts. Most of the folders contain correspondence and notes of both Staley and von Erffa and thus cover a span of twenty to thirty years. Most of the folders also contain other types of documentation, including: four-color or black-and-white reprints of the painting or related paintings and drawings; published material regarding the painting; a typed draft of the catalogue entry narrative; research notes; and von Erffa's mimeographed worksheet for that particular painting. The finding aid inventory of this series lists each painting as titled in the catalogue along with its entry number.
Although this series, and the next two, are clearly the work of Staley, all three contain von Erffa papers as well, thus illustrating the latter historian's use of the previous historian's original research.
Certain material is restricted until January 1, 2025.
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Box (Boxes 32-40). | |||||||||||||||
This series comprises the paintings or drawings Staley determined were not the work of Benjamin West. Most of the papers consist of correspondence between Staley or von Erffa and the holder of the work in question. Related photographic images have been kept with their corresponding papers and all are arranged chronologically.
As in Series 6, the works of art are grouped by subject, with the exception of several folders that were not originally included here. Documentation type is also similar to the previous series in its variety, including a copy of Staley's original folder cover, correspondence, notes, and reprints of the questionable painting as well as of related images. The amount of documentation per painting varies, with some of the folders consisting of a reprint and worksheet only. Thus there is often no explanation of Staley's or von Erffa's determination that a painting was not the work of Benjamin West.
Included in this series is a folder of notes and reprints regarding the sketches of biblical scenes for the Royal Chapel at Windsor Castle. Although Staley discusses the paintings West completed for this project in Appendix I of the catalogue, there is apparently some question as to the authorship of these design sketches. In the catalogue caption to these sketches, West's name is followed by a parenthetical question mark.
In his original files to this series, Staley included empty folders to represent certain paintings that he cross-referenced to other related titles. Because all this information was noted on the folder tab, these folders were removed. The painting titles, however, are included on the inventory with a folder listing as "none."
Staley clearly marked four folders "rejected," with one folder per year from 1997 to 2000. Much of the correspondence is outgoing and clearly documents why he thinks the work in question is not by West. Since the catalogue was published in 1986, this later correspondence also affirms Staley's reputation as the expert on Benjamin West. Unlike the other material in Series 7, however, the breakdown of this additional material is by date of correspondence, rather than by subject.
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Box (Boxes 41-42) | |||||||||||||||
This series consists of incoming and outgoing correspondence of Staley and von Erffa, arranged chronologically. Most of the letters have relevant reprints attached. Staley identified the first two folders as "doubtful portraits." The remaining files, however, were identified only as "questionable," and have been processed here by date of correspondence. The four folders within this series that Staley clearly identified as "rejected" were moved to Series 7.
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Box (Box 42) | |||||||||||||||
The materials in Series 9 through 12 were rearranged slightly and processed under categories that would best reflect the use of these materials in the preparation of the catalogue. This series includes photocopies of and/or notes on the four categories of documentation Staley discussed in the catalogue introduction (pages 159-163). These categories are part of every entry in the catalogue raisonné. The finding aid inventory identifies each file by the specific document Staley references.
Most of the Provenance material consists of notes and lists compiled from the documents cited. A reprint of John Galt's 1820 biography of West that Staley refers to in the Provenance documentation is also in Series 15.
Much of the material cited for Exhibitions and Listed (listings of a painting compiled during West's lifetime) are photocopies of the relevant pages of the actual documents. The only source Staley refers to within the Listed material that is not documented in this series is Dillenberger's 1977 study of West's religious works. A copy of the book, however, is available in Series 15.
The document Staley refers to as Literature is the Farington Diary. Joseph Farington was a friend of West and, as noted in the catalogue introduction, his diary is the "most important single contemporary source of information for the later part of West's career." (p. 162) The collection folder consists of a typescript of the diary index and related passages.
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Box (Boxes 42-43) | |||||||||||||||
This series consits of materials that relate to topics Staley referenced more generally in the catalogue's introductory chapters of the catalogue, such as West's Royal
Academy lectures and his descendants as collectors. Other catalogue issues include bibliographic sources and authorization for photographic reproduction. Notes, correspondence and reproduction authorization forms make up the documentation. Most of the bibliography notes are reference lists from approximately one dozen other publications. Certain material is restricted until January 1, 2025.
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Box (Boxes 43-46) | |||||||||||||||
Although the papers in this series were originally identified by Staley as "additional research materials," they have been further processed to reflect more specific and probable research categories. The categories include published material about West; materials providing provenance references; compiled listings of West's works (referring to lists compiled by Staley and his research assistants as opposed to those produced during the eighteenth and early nineteenth centuries); and materials produced by Staley's research assistant, which have been filed by research category as well. The bulk of the provenance reference material consists of working lists of the various types of collections with paintings by West. Many of the paintings on these lists have been cross-referenced with their catalogue entry number.
Rather than document a specific chapter or section, the material in this series represents research generally referred to in the catalogue. The type of material varies: much of the published material consists of photocopies or reprints of articles; provenance material consists of von Erffa and Staley correspondence, notes, sales catalogues and reproductions. The working notes and lists of paintings by West compiled from specific research institutions were processed in the subseries "Compiled Listings" by institution, namely: National Museum of American Art (inventory of American Paintings); Witt Library, Courtauld Institute of Art, London; Frick Art Reference Library (FARL), New York and the Paul Mellon Collection at the Yale Center for British Art. Also processed as part of this series are the working notes of one of Staley's research assistants. Although most of these working notes were not identified as belonging to any of Staley's assistants, the handwriting matches that of the papers in the one original folder marked as such.
Certain material is restricted until January 1, 2025.
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Box (Boxes 46-48) | |||||||||||||||
This series deals with topics about Benjamin West that the catalogue does not address at all or in any great detail, such as his influence on other artists. There are photographs and photocopies of pages from the West sketchbooks at HSP and the Royal Academy. There are also quite a few reprints of other drawings by West. All of these are worth noting since the catalogue deals only with West's paintings. The documentation regarding the portraits of West by other artists is also thin. Most folders consist of a page or two of notes or correspondence and often a reprint of the image. Despite this dearth of the material, the compilation of such a list of artists can be useful to the researcher as it reflects the impact West had on his contemporaries.
The subseries in this series include Works by West (not included in the catalogue); Artists Influenced by West; and Portraits of West by Other Artists.
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Box (Box 48) | |||||||||||||||
This small series consists of three folders of correspondence and related photos regarding several paintings and a drawing that were received after publication of the catalogue and determined by Staley to be possible works by West.
The information contained herein clearly illustrates the type of analyses required in determining attribution. The first folder deals with about ten portraits and consists of correspondence to and from Staley as well as reprints of most of the images in question. The correspondence ranges in date from 1985 to 1999. The two other folders contain far less material, each dealing with one work only. One is a drawing from The Brooklyn Museum, the other a painting of an unknown subject. Staley's brief notations written on the incoming correspondence (of 1995 and 1992, respectively) are the only record of his reaction to these works.
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Box (Box 48) | |||||||||||||||
This series documents Staley's post-publication revisions and additional references and comments. After publication of the catalogue, Staley made annotations to certain entries, most noting additional analysis of the painting or additional reference sources. Because the original marked-up volume was returned to Staley, this series consists of photocopies of those pages he marked.
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Box (Boxes 49-50) | |||||||||||||||
This series consists of 27 other publications about Benjamin West, most of which were annotated by von Erffa or Staley. A few include related notes or news clippings. Three of Staley's other studies of West are included. The subjects include studies of specific paintings, of specific categories, such as religious works or drawings, and West's career in general. The publications include museum exhibit catalogues, auction house catalogues, journal articles and general studies.
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Series 1—von Erffa's Correspondence | |||||||||||||||
Private collectors, scholars, dealers, et al. | c. 1944-1976 | ||||||||||||||
A, B |
Box 1: 1 | ||||||||||||||
C |
Box 1: 2 | ||||||||||||||
D, E |
Box 1: 3 | ||||||||||||||
F |
Box 1: 4 | ||||||||||||||
G |
Box 1: 5 | ||||||||||||||
H |
Box 1: 6 | ||||||||||||||
I, J |
Box 1: 7 | ||||||||||||||
K, L |
Box 1: 8 | ||||||||||||||
Mc |
Box 1: 9 | ||||||||||||||
M |
Box 1: 10 | ||||||||||||||
N, O |
Box 1: 11 | ||||||||||||||
P |
Box 1: 12 | ||||||||||||||
R |
Box 1: 13 | ||||||||||||||
S |
Box 1: 14 | ||||||||||||||
T |
Box 1: 15 | ||||||||||||||
U, V, W |
Box 1: 16 | ||||||||||||||
X, Y, Z |
Box 1: 17 | ||||||||||||||
Public Institutions | c. 1944-1977 | ||||||||||||||
A |
Box 2: 1 | ||||||||||||||
B |
Box 2: 2 | ||||||||||||||
C |
Box 2: 3 | ||||||||||||||
D |
Box 2: 4 | ||||||||||||||
E, F, G |
Box 2: 5 | ||||||||||||||
H, K |
Box 2: 6 | ||||||||||||||
L |
Box 2: 7 | ||||||||||||||
M, Mc |
Box 2: 8 | ||||||||||||||
N |
Box 2: 9 | ||||||||||||||
O |
Box 2: 10 | ||||||||||||||
P |
Box 2: 11 | ||||||||||||||
R, S |
Box 2: 12 | ||||||||||||||
T |
Box 2: 13 | ||||||||||||||
U, V |
Box 2: 14 | ||||||||||||||
W |
Box 2: 15 | ||||||||||||||
X, Y, Z |
Box 2: 16 | ||||||||||||||
Author's Query | 1951, 1958, 1960 |
Box 3: 1 | |||||||||||||
Graduate Students w/West-related topics | 1976, n.d. |
Box 3: 2 |
Series 2: Von Erffa's Other Research Material | |||||||||||||||
Subjects | |||||||||||||||
Classical |
Box 3: 3 | ||||||||||||||
Religious |
Box 3: 4 | ||||||||||||||
Various (working notes) |
Box 3: 5 | ||||||||||||||
Various (worksheets) |
Box 3: 6 | ||||||||||||||
Provenance and Attribution Issues | |||||||||||||||
Collections w/no works by West |
Box 3: 7 | ||||||||||||||
West descendants. Material restricted until January 1, 2025. |
Box 3: 8 | ||||||||||||||
Rejected attribution (Edw. Bird) |
Box 3: 9 | ||||||||||||||
Questionable attribution |
Box 3: 10 | ||||||||||||||
Other Aspects of West's Career and Influence | |||||||||||||||
Pupils of West, excluding his sons |
Box 3: 11 | ||||||||||||||
West's sons, Raphael and Benjamin, Jr. |
Box 3: 12 | ||||||||||||||
Influence of other artists and the study of earlier masters: John Trumbull |
Box 3: 13 | ||||||||||||||
Influence of other artists and the study of earlier masters: Gian Antonio Pellegrini |
Box 3: 14 | ||||||||||||||
Influence of other artists and the study of earlier masters: Francesco Sabatelli |
Box 3: 15 | ||||||||||||||
Influence of other artists and the study of earlier masters: Geo. Carter, Chrls. Grignion |
Box 3: 16 | ||||||||||||||
Influence of other artists and the study of earlier masters: Parmigianino |
Box 3: 17 | ||||||||||||||
Influence of other artists and the study of earlier masters: Various artists |
Box 3: 18 | ||||||||||||||
Influence of other artists and the study of earlier masters: Giovanni F. Romanelli |
Box 3: 19 | ||||||||||||||
Influence of other artists and the study of earlier masters: Henry Fuseli (Fussli) |
Box 3: 20 | ||||||||||||||
Primary Research Sources | |||||||||||||||
Index, Working List, A |
Box 4: 1 | ||||||||||||||
B |
Box 4: 2 | ||||||||||||||
D |
Box 4: 3 | ||||||||||||||
G |
Box 4: 4 | ||||||||||||||
H |
Box 4: 5 | ||||||||||||||
L |
Box 4: 6 | ||||||||||||||
M |
Box 4: 7 | ||||||||||||||
N |
Box 4: 8 | ||||||||||||||
P |
Box 4: 9 | ||||||||||||||
S |
Box 4: 10 | ||||||||||||||
W |
Box 4: 11 | ||||||||||||||
West letters at Haverford College Library |
Box 4: 12 | ||||||||||||||
Bibliography | |||||||||||||||
Misc. notes, lists and call slips |
Box 4: 13 | ||||||||||||||
General art references |
Box 4: 14 | ||||||||||||||
Archives of American Art |
Box 4: 15 | ||||||||||||||
Lists from other studies |
Box 4: 16 | ||||||||||||||
Miscellaneous Topics | |||||||||||||||
Grosvenor real estate investment |
Box 4: 17 | ||||||||||||||
Working notes re: various artists |
Box 4: 18 | ||||||||||||||
Working notes re: various subjects |
Box 4: 19 | ||||||||||||||
Unrelated papers | c. 1786, 1813 |
Box 4: 20 | |||||||||||||
Prints of works by other artists |
Box 4: 21 | ||||||||||||||
Review of George III and the Madness Business | (1970) |
Box 4: 22 | |||||||||||||
Realism and Nature in Art |
Box 4: 23 | ||||||||||||||
"More Info Needed" |
Box 4: 24 | ||||||||||||||
Research Travel Plans |
Box 4: 25 | ||||||||||||||
Rutgers Univ. Art Museum |
Box 4: 26 | ||||||||||||||
Working Notes re: "last part of essay" |
Box 4: 27 | ||||||||||||||
Yorktown Battlefield brochure |
Box 4: 28 | ||||||||||||||
Reproductions | |||||||||||||||
Plenum Publishing Correspondence: B |
Box 5: 1 | ||||||||||||||
Plenum Publishing Correspondence: C |
Box 5: 2 | ||||||||||||||
Plenum Publishing Correspondence: D |
Box 5: 3 | ||||||||||||||
Plenum Publishing Correspondence: G |
Box 5: 4 | ||||||||||||||
Plenum Publishing Correspondence: H,I |
Box 5: 5 | ||||||||||||||
Plenum Publishing Correspondence: L |
Box 5: 6 | ||||||||||||||
Plenum Publishing Correspondence: M |
Box 5: 7 | ||||||||||||||
Plenum Publishing Correspondence: N,O |
Box 5: 8 | ||||||||||||||
Plenum Publishing Correspondence: P |
Box 5: 9 | ||||||||||||||
Plenum Publishing Correspondence: R |
Box 5: 10 | ||||||||||||||
Plenum Publishing Correspondence: S |
Box 5: 11 | ||||||||||||||
Plenum Publishing Correspondence: T,U,V |
Box 5: 12 | ||||||||||||||
Plenum Publishing Correspondence: W |
Box 5: 13 | ||||||||||||||
Transparencies Notebook (incomplete) |
Box 5: 14 | ||||||||||||||
British Museum regs. And U.S copyright info. |
Box 5: 15 | ||||||||||||||
Permission to publish | c. 1944, 1951-1974 |
Box 5: 16 | |||||||||||||
Images related to West's life and career |
Box 5: 17 | ||||||||||||||
Various West Paintings |
Box 5: 18 | ||||||||||||||
Various West sketches |
Box 5: 19 | ||||||||||||||
Drawings collection. Material restricted until January 1, 2025. |
Box 5: 20 | ||||||||||||||
Negatives of West paintings and prints |
Box 5: 21 | ||||||||||||||
Works by other artists |
Box 5: 22 | ||||||||||||||
Oversized images and negatives | |||||||||||||||
See Box 51 | |||||||||||||||
Drafts of Catalogue | |||||||||||||||
Intro. notes and catalogue outline |
Box 6: 1 | ||||||||||||||
Sample of catalogue entry format |
Box 6: 2 | ||||||||||||||
Manuscript entries (corresponding to typescript pages 1-175) w/keyed bibliog. refs. |
Box 6: 3 | ||||||||||||||
Typescript of portraits and mythology, pp. 1-175 |
Box 6: 4 | ||||||||||||||
Typescript of religion, pp. 176-294 |
Box 6: 5 | ||||||||||||||
Typescript of medieval and modern history, landscape, allegory and genre, pp. 295-429 |
Box 6: 6 |
Series 3: von Erffa's Other Published Material, Lectures and Papers | |||||||||||||||
Published Materials and other Papers | |||||||||||||||
"Benjamin West reinterpreted" Antiques | May 1962 |
Box 6: 7 | |||||||||||||
Catalogue to the Swarthmore Collection of West Drawings |
Box 6: 8 | ||||||||||||||
West entry to Dictionary of Artists in America, | 1564-1860 |
Box 6: 9 | |||||||||||||
"West and the Chapel of The Greenwich Hospital" |
Box 6: 10 | ||||||||||||||
"The Lost Drawings of Benjamin West," Art in America [?] |
Box 6: 11 | ||||||||||||||
"Benjamin West's Venus and Europa," North Carolina Museum of Art Bulletin [incomplete?] | June 1969 |
Box 6: 12 | |||||||||||||
"King Lear by Benjamin West," Museum Notes, Rhode Island School of Design | 1956 |
Box 6: 13 | |||||||||||||
"West's Washing of Sheep, Genre or Poetic Portrait?..." Art Quarterly, | 1952 |
Box 6: 14 | |||||||||||||
"Benjamin West, Reynolds and the Modern History Picture" [unpublished?] |
Box 6: 15 | ||||||||||||||
"Benjamin West and the American Loyalists: John Eardley-Wilmot and the Allegory of Peace" [unpublished?] |
Box 6: 16 | ||||||||||||||
"Benjamin West, Pharaoh Lost in the Sea," Worcester Art Museum News Bulletin, | c. 1960 |
Box 7: 1 | |||||||||||||
Penn's Treaty -- handwritten draft |
Box 7: 2 | ||||||||||||||
Book review of Benjamin West and the Taste of His Times by Grose Evans in College Art Journal, Univ. of Illinois | 1960 |
Box 7: 3 | |||||||||||||
"An Oil Sketch by Benjamin West," Register, Univ. of Kansas Museum of Art | 1956 |
Box 7: 4 | |||||||||||||
Lectures | |||||||||||||||
"West and the Royal Academy of Arts," Frick (NY) | 1960 |
Box 7: 5 | |||||||||||||
Seminar class re: European experience of American artists Yale University | 1760-1820, April 5, 1962 |
Box 7: 6 | |||||||||||||
Other | |||||||||||||||
Grant research reports re: von Erffa's 1954 and 1957 West studies |
Box 7: 7 | ||||||||||||||
Rejected proposal for Art Bulletin catalogue |
Box 7: 8 | ||||||||||||||
James Graham & Sons Exhibition Catalogue |
Box 7: 9 | ||||||||||||||
Graduate paper by William Howze, "Benjamin West: Paintings History Painting as Autobiography" | 1763-1768: |
Box 7: 10 |
Series 4: von Erffa's Research Index Cards | |||||||||||||||
West Paintings Arranged by Subject | |||||||||||||||
Royal Family (portraits) |
Box 8 | ||||||||||||||
West Family |
Box 8 | ||||||||||||||
Anonymous Portraits |
Box 8 | ||||||||||||||
Ancient History |
Box 8 | ||||||||||||||
Mythology |
Box 8 | ||||||||||||||
Religion - General |
Box 8 | ||||||||||||||
Various Religious (saints, prophets, angels, etc.) |
Box 8 | ||||||||||||||
Old Testament |
Box 8 | ||||||||||||||
New Testament |
Box 8 | ||||||||||||||
Nativity |
Box 8 | ||||||||||||||
Miracles, Parables |
Box 8 | ||||||||||||||
Passion of Christ |
Box 8 | ||||||||||||||
Acts |
Box 8 | ||||||||||||||
Modern History - English and American |
Box 8 | ||||||||||||||
Poetry |
Box 8 | ||||||||||||||
Landscape |
Box 8 | ||||||||||||||
Landscape - specific places |
Box 8 | ||||||||||||||
Allegory (misc) |
Box 8 | ||||||||||||||
Queen's Lodge |
Box 8 | ||||||||||||||
Marble Hall |
Box 8 | ||||||||||||||
Genre |
Box 8 | ||||||||||||||
Varia |
Box 8 | ||||||||||||||
To be filed |
Box 8 | ||||||||||||||
Wrong Attributions |
Box 8 | ||||||||||||||
Engravings | |||||||||||||||
Royal Portraits |
Box 8 | ||||||||||||||
West Family |
Box 8 | ||||||||||||||
Portraits of West |
Box 8 | ||||||||||||||
Portraits |
Box 8 | ||||||||||||||
Ancient History |
Box 8 | ||||||||||||||
Mythology |
Box 8 | ||||||||||||||
Saints - Apocryphal |
Box 8 | ||||||||||||||
Old Testament |
Box 8 | ||||||||||||||
New Testament |
Box 8 | ||||||||||||||
Allegory |
Box 8 | ||||||||||||||
English and American History |
Box 8 | ||||||||||||||
Poetry |
Box 9 | ||||||||||||||
Genre |
Box 9 | ||||||||||||||
Drawings | |||||||||||||||
Portraits (no entries) |
Box 9 | ||||||||||||||
Ancient History |
Box 9 | ||||||||||||||
Mythology |
Box 9 | ||||||||||||||
Saints, Angels |
Box 9 | ||||||||||||||
Old Testament |
Box 9 | ||||||||||||||
New Testament |
Box 9 | ||||||||||||||
Allegory and Misc. |
Box 9 | ||||||||||||||
English and American History |
Box 9 | ||||||||||||||
Poetry and Drama |
Box 9 | ||||||||||||||
Genre and Misc. |
Box 9 | ||||||||||||||
Landscape |
Box 9 | ||||||||||||||
Unidentified Scenes |
Box 9 | ||||||||||||||
Wrong Attributions |
Box 9 | ||||||||||||||
Copies |
Box 9 | ||||||||||||||
Doubtful Attribution |
Box 9 | ||||||||||||||
Painting Titles by Decade | |||||||||||||||
1760s |
Box 9 | ||||||||||||||
1770s |
Box 9 | ||||||||||||||
1780s |
Box 9 | ||||||||||||||
1790s |
Box 9 | ||||||||||||||
1800s |
Box 9 | ||||||||||||||
1810s |
Box 9 | ||||||||||||||
Sales Catalogues |
Box 9 | ||||||||||||||
Notes on Some of West's Paintings |
Box 9 | ||||||||||||||
Notes on Men and Events re: West |
Box 9 | ||||||||||||||
Contacts |
Box 9 | ||||||||||||||
Bibliography |
Box 10 |
Series 5: Staley's Research Index Cards | |||||||||||||||
Catalogue Abbreviations | |||||||||||||||
Lists |
Box 10 | ||||||||||||||
Literature |
Box 10 | ||||||||||||||
Exhibitions |
Box 10 | ||||||||||||||
Other Bibliography | |||||||||||||||
Catalogues and Biographies |
Box 10 | ||||||||||||||
Contemporary Accounts |
Box 10 | ||||||||||||||
Historical Background - art |
Box 10 | ||||||||||||||
Historical Background - individuals |
Box 10 | ||||||||||||||
Articles |
Box 10 | ||||||||||||||
Provenance, by collection type | |||||||||||||||
Public Collections - US |
Box 10 | ||||||||||||||
Galleries, NYC, et al. |
Box 10 | ||||||||||||||
Private Collections - US. Material restricted until January 1, 2025. |
Box 10 | ||||||||||||||
Public Collections - Canada, PR, BWI |
Box 10 | ||||||||||||||
Public Collections, London |
Box 10 | ||||||||||||||
Public Collections, outside of London |
Box 10 | ||||||||||||||
Private Collections - British. Material restricted until January 1, 2025. |
Box 10 | ||||||||||||||
European Collections |
Box 10 | ||||||||||||||
Miscellaneous |
Box 10 | ||||||||||||||
Unidentified |
Box 11 | ||||||||||||||
Reproductions | |||||||||||||||
Institutions and private collectors |
Box 11 | ||||||||||||||
Provenance, alphabetical by private or public collection |
Box 11 | ||||||||||||||
Subjects (multiple cards per entry) | |||||||||||||||
Literary |
Box 11 | ||||||||||||||
Iliad/Odyssey Related (Homeric) |
Box 11 | ||||||||||||||
Classical Mythology |
Box 12 | ||||||||||||||
Old Testament |
Box 12 | ||||||||||||||
New Testament |
Box 12 | ||||||||||||||
Saints/Church |
Box 12 | ||||||||||||||
Life of Christ |
Box 12 | ||||||||||||||
Untitled Engravings |
Box 12 | ||||||||||||||
"To Locate" Engravings |
Box 12 | ||||||||||||||
Engravings after West's designs |
Box 12 | ||||||||||||||
Prints not by West |
Box 12 | ||||||||||||||
Misc. (including oil sketches, charcoal and chalk drawings and various designs |
Box 12 | ||||||||||||||
Copies |
Box 12 | ||||||||||||||
Landscape |
Box 12 | ||||||||||||||
Genre |
Box 12 | ||||||||||||||
Allegory |
Box 12 | ||||||||||||||
Queens Lodge |
Box 12 | ||||||||||||||
Portraiture |
Box 12 | ||||||||||||||
Self-Portraits |
Box 12 | ||||||||||||||
West Family |
Box 12 | ||||||||||||||
Royal Family |
Box 12 | ||||||||||||||
Identified Individuals |
Box 13 | ||||||||||||||
Identified Groups |
Box 13 | ||||||||||||||
Unidentified Individuals |
Box 13 | ||||||||||||||
Classical History |
Box 13 | ||||||||||||||
Medieval and Modern History |
Box 13 |
Series 6: Entries in the Published Benjamin West Catalogue | |||||||||||||||
Historical Subjects (Ancient History) | |||||||||||||||
1.
Sappho |
Box 14: 1 | ||||||||||||||
2.
The Family of the King of Armenia Before Cyrus |
Box 14: 2 | ||||||||||||||
3.
The Departure of Leonidas |
Box 14: 3 | ||||||||||||||
4.
The Death of Socrates. Material restricted until January 1, 2025. |
Box 14: 4 | ||||||||||||||
5.
The Death of Epaminondas |
Box 14: 5 | ||||||||||||||
6.
The Death of Epaminondas |
Box 14: 6 | ||||||||||||||
7.
Alexander's Confidence in his Physician Philip |
Box 14: 7 | ||||||||||||||
8.-9.
Pyrrhus When a Child, Brought Before Glaucias |
Box 14: 8 | ||||||||||||||
10.
The Departure of Regulus from Rome |
Box 14: 9 | ||||||||||||||
13.-14.
Leonidas & Cleombrutus |
Box 14: 10 | ||||||||||||||
15.-16.
Antiochus and Stratonice Material restricted until January 1, 2025. |
Box 14: 11 | ||||||||||||||
17.
The Oath of Hannibal |
Box 14: 12 | ||||||||||||||
18.
The Continence of Scipio |
Box 14: 13 | ||||||||||||||
19.
The Continence of Scipio |
Box 14: 14 | ||||||||||||||
20.
The Mother of Gracchi Displays her Children as Her Only Jewels. Material restricted until January 1, 2025. |
Box 14: 15 | ||||||||||||||
21.
Marius on the Ruins of Carthage |
Box 14: 16 | ||||||||||||||
Gaius Marius and the Gallic Slave (Omitted) |
Box 14: 17 | ||||||||||||||
22.-24.
Cicero Discovering the Tomb of Archimedes. Material restricted until January 1, 2025. |
Box 14: 18 | ||||||||||||||
23.
Cicero Discovering the Tomb of Archimedes |
Box 14: 19 | ||||||||||||||
25.
Cato Giving his Daughter in Marriage at his Death |
Box 14: 20 | ||||||||||||||
26.
Caesar Reading the History of Alexander's Exploits |
Box 14: 21 | ||||||||||||||
27.
The Death of Caesar |
Box 14: 22 | ||||||||||||||
28.
Marc Antony Showing the Robe and the Will of Julius Caesar to the People of Rome |
Box 14: 23 | ||||||||||||||
29.-31.
Agrippina with her Children Going through the Roman Camp. Material restricted until January 1, 2025. |
Box 14: 24 | ||||||||||||||
32.
Segestes and his Daughter Before Germanicus |
Box 14: 25 | ||||||||||||||
33.
Agrippina Landing at Brundisium with the Ashes of Germanicus |
Box 14: 26 | ||||||||||||||
34.-35.
Agrippina Landing at Brundisium with the Ashes of Germanicus |
Box 14: 27 | ||||||||||||||
36.
Agrippina Landing at Brundisium with the Ashes of Germanicus |
Box 14: 28 | ||||||||||||||
37.
Agrippina, Surrounded by her Children, Weeping over the Ashes of Germanicus |
Box 14: 29 | ||||||||||||||
38.
Paetus and Arria |
Box 14: 30 | ||||||||||||||
39.
Paetus and Arria. Material restricted until January 1, 2025. |
Box 15: 1 | ||||||||||||||
40.
Paetus and Arria |
Box 15: 2 | ||||||||||||||
41.
Epponina |
Box 15: 3 | ||||||||||||||
42.
Bilisarius and the Boy |
Box 15: 4 | ||||||||||||||
43.
Bilisarius and the Boy |
Box 15: 5 | ||||||||||||||
44.
Bilisarius and the Boy |
Box 15: 6 | ||||||||||||||
45.
Bilisarius Brought to his Family |
Box 15: 7 | ||||||||||||||
Historical Subjects (English History) | |||||||||||||||
46.
Prince Bladud Contemplating the Medicinal Virtues of the Bathwaters... |
Box 15: 8 | ||||||||||||||
47.
William deAlbanac Presents his Three Daughters to Alfred III, King of Mercia |
Box 15: 9 | ||||||||||||||
48.-49.
Alfred the Great Dividing his Loaf with a Pilgrim |
Box 15: 10 | ||||||||||||||
50.-51.
The Citizens of London Offering the Crown to William the Conqueror |
Box 15: 11 | ||||||||||||||
52.-53.
The Intercession of the Queen Mother with Richard I to Pardon His Brother John |
Box 15: 12 | ||||||||||||||
54.-55.
Alexander III of Scotland Saved from a Stag from Colin Fitzgerald (The Death of the Stag) |
Box 15: 13 | ||||||||||||||
56.-57.
Edward III Crossing the Somme |
Box 15: 14 | ||||||||||||||
58.-60.
Edward III with the Black Prince after the Battle of Créci |
Box 15: 15 | ||||||||||||||
61.-63.
Queen Philippa at the Battle of Neville's Cross |
Box 15: 16 | ||||||||||||||
64.-66.
The Burghers of Calais |
Box 15: 17 | ||||||||||||||
67.-71.
The Institution of the Order of the Garter |
Box 15: 18 | ||||||||||||||
72.-73.
Edward III Entertaining his Prisoners |
Box 15: 19 | ||||||||||||||
74.-76.
Edward, the Black Prince, Receiving John, King of France, Prisoner... |
Box 15: 20 | ||||||||||||||
77.
The Death of the Chevalier Bayard |
Box 15: 21 | ||||||||||||||
78.
The Death of the Chevalier Bayard |
Box 15: 22 | ||||||||||||||
79.
The Death of Sir Philip Sidney |
Box 15: 23 | ||||||||||||||
80.
The Death of Sir Philip Sidney |
Box 15: 24 | ||||||||||||||
81.
The Destruction of the Spanish Armada |
Box 15: 25 | ||||||||||||||
82.
Queen Elizabeth Going in Procession to St. Paul's Cathedral... |
Box 15: 26 | ||||||||||||||
83.
Oliver Cromwell Dissolving the Parliament |
Box 15: 27 | ||||||||||||||
84.
General Monk Receiving Charles II on the Beach at Dover |
Box 15: 28 | ||||||||||||||
85.
William Penn's Treaty with the Indians |
Box 16: 1 | ||||||||||||||
86.
William Penn's Treaty with the Indians |
Box 16: 2 | ||||||||||||||
Historical Subjects (Modern History) | |||||||||||||||
87.
William Penns' Treaty with the Indians |
Box 16: 3 | ||||||||||||||
Historical Subjects (English History) | |||||||||||||||
88.-89.
The Battle of the Boyne |
Box 16: 4 | ||||||||||||||
Historical Subjects (English-American History) | |||||||||||||||
90.
The Battle of La Hogue |
Box 16: 5 | ||||||||||||||
Historical Subjects (English History) | |||||||||||||||
91.
The Battle of La Hogue |
Box 16: 6 | ||||||||||||||
Historical Subjects (Modern History) | |||||||||||||||
92.
General Johnson Saving a Wounded French Officer... |
Box 16: 7 | ||||||||||||||
Historical Subjects (English History) | |||||||||||||||
93.
The Death of General Wolfe |
Box 16: 8 | ||||||||||||||
Historical Subjects (Modern History) | |||||||||||||||
94.
The Death of General Wolfe |
Box 16: 9 | ||||||||||||||
Historical Subjects (English History) | |||||||||||||||
95.
The Death of General Wolfe |
Box 16: 10 | ||||||||||||||
96.
The Death of General Wolfe |
Box 16: 11 | ||||||||||||||
Historical Subjects (Modern History) | |||||||||||||||
97.-98.
The Death of General Wolfe. Material restricted until January 1, 2025. |
Box 16: 12 | ||||||||||||||
99.-100.
The Death of General Wolfe |
Box 16: 13 | ||||||||||||||
Historical Subjects (English History) | |||||||||||||||
101.-102.
Lord Clive Receiving from the Mogul the Grant of Duanney |
Box 16: 14 | ||||||||||||||
103.
Lord Clive Receiving from the Mogul the Grant of Duanney |
Box 16: 15 | ||||||||||||||
Historical Subjects (Modern History) | |||||||||||||||
104.
The Death of the Earl of Chatham |
Box 16: 16 | ||||||||||||||
Historical Subjects (English History) | |||||||||||||||
105.
Signing of the Preliminary Treaty of Peace in 1782 |
Box 17: 1 | ||||||||||||||
Historical Subjects (Allegory) | |||||||||||||||
106.
Reception of the American Loyalists by Great Britain in the Year 1783 |
Box 17: 2 | ||||||||||||||
Historical Subjects (Modern History) | |||||||||||||||
107.
The Recovery of His Majesty in the Year 1789 (1 of 2) |
Box 17: 3 | ||||||||||||||
Related research paper (2 of 2) |
Box 17: 4 | ||||||||||||||
108.
The Death of Lord Nelson |
Box 17: 5 | ||||||||||||||
109.
The Death of Lord Nelson in the Cockpit of the Victory |
Box 17: 6 | ||||||||||||||
Historical Subjects (Allegory) | |||||||||||||||
110.
Sketch for a Monument to Lord Nelson |
Box 17: 7 | ||||||||||||||
111.
The Immortality of Nelson |
Box 17: 8 | ||||||||||||||
Mythological Subjects (Classical) | |||||||||||||||
112.
Venus Relating to Adonis the Story of Hippomenes and Atalanta. Material restricted until January 1, 2025. |
Box 17: 9 | ||||||||||||||
Mythological Subjects | |||||||||||||||
113.
Venus and Adonis, with Cupids Bathing (The Bath of Venus) |
Box 17: 10 | ||||||||||||||
Mythological Subjects (Poetry) | |||||||||||||||
114.
Adonis with his Dogs |
Box 17: 11 | ||||||||||||||
116.
Venus Lamenting the Death of Adonis |
Box 17: 12 | ||||||||||||||
117.
Venus Lamenting the Death of Adonis. Material restricted until January 1, 2025. |
Box 17: 13 | ||||||||||||||
118.
Venus Lamenting the Death of Adonis |
Box 17: 14 | ||||||||||||||
Mythological Subjects | |||||||||||||||
119.-120.
Arethusa |
Box 17: 15 | ||||||||||||||
121.
Ariadne on the Sea-shore |
Box 17: 16 | ||||||||||||||
122.
Arion |
Box 17: 17 | ||||||||||||||
123.
A Bacchante |
Box 17: 18 | ||||||||||||||
124.
Bacchante Boys (Boys and Grapes) |
Box 18: 1 | ||||||||||||||
125.
Sleeping Cupid (Cupid Sleeping on a Bed of Roses) |
Box 18: 2 | ||||||||||||||
126.
Sleeping Cupid |
Box 18: 3 | ||||||||||||||
127.
Cupid Releasing Two Doves. Material restricted until January 1, 2025. |
Box 18: 4 | ||||||||||||||
128.-129.
Venus and Cupid |
Box 18: 5 | ||||||||||||||
130.
Venus Admonishing Cupid |
Box 18: 6 | ||||||||||||||
131.
Cupid Stung by a Bee |
Box 18: 7 | ||||||||||||||
132.
Cupid Stung by a Bee |
Box 18: 8 | ||||||||||||||
133.
Cupid Stung by a Bee |
Box 18: 9 | ||||||||||||||
134.
Cupid Stung by a Bee. Material restricted until January 1, 2025. |
Box 18: 10 | ||||||||||||||
135.
Cupid Stung by a Bee |
Box 18: 11 | ||||||||||||||
136.
Cupid Stung by a Bee |
Box 18: 12 | ||||||||||||||
137.-138.
Diana and Endymion. Material restricted until January 1, 2025. |
Box 18: 13 | ||||||||||||||
139.
Europa Crowning the Bow with Flowers |
Box 18: 14 | ||||||||||||||
140.
Europa on the Back of the Bull |
Box 18: 15 | ||||||||||||||
Mythological Subjects (Poetry) | |||||||||||||||
141.
Venus and Europa |
Box 18: 16 | ||||||||||||||
142.
Venus and Europa |
Box 18: 17 | ||||||||||||||
Mythological Subjects | |||||||||||||||
143.
The Choice of Hercules |
Box 18: 18 | ||||||||||||||
144.
The Death of Hippolytus |
Box 18: 19 | ||||||||||||||
145.
The Death of Hyacinthus |
Box 18: 20 | ||||||||||||||
146.
Narcissus |
Box 18: 21 | ||||||||||||||
Mythological Subjects (Classical) | |||||||||||||||
147.
Narcissus |
Box 18: 22 | ||||||||||||||
148.
Phaeton Soliciting Apollo for the Chariot of the Sun |
Box 18: 23 | ||||||||||||||
Mythological Subjects | |||||||||||||||
149.
The Fall of Phaeton |
Box 18: 24 | ||||||||||||||
150.
The Death of Procris |
Box 18: 25 | ||||||||||||||
151.
Cupid and Psyche |
Box 18: 26 | ||||||||||||||
Mythological Subjects (Classical) | |||||||||||||||
152.
Cupid and Psyche |
Box 18: 27 | ||||||||||||||
Mythological Subjects | |||||||||||||||
153.
The Eagle Bringing the Cup of Water to Psyche |
Box 18: 28 | ||||||||||||||
154.
Salmacis and Hermaphroditus |
Box 18: 29 | ||||||||||||||
Mythological Subjects (Ancient) | |||||||||||||||
155.-156.
Jupiter and Semele |
Box 18: 30 | ||||||||||||||
Mythological Subjects | |||||||||||||||
157.-158.
Venus at her Birth Attired by the Graces. Material restricted until January 1, 2025. |
Box 19: 1 | ||||||||||||||
Homeric and Related Subjects (Ancient Mythology) | |||||||||||||||
159.
Chryses Invoking the Vengeance of Apollo Against the Greeks |
Box 19: 2 | ||||||||||||||
Homeric and Related Subjects (Classical Mythology) | |||||||||||||||
160.
Chryseis Returned to Her Father |
Box 19: 3 | ||||||||||||||
Homeric and Related Subjects (Mythology) | |||||||||||||||
161.
Chryseis Returned to Her Father |
Box 19: 4 | ||||||||||||||
162.
Helen Brought to Paris |
Box 19: 5 | ||||||||||||||
Homeric and Related Subjects (Iliad) | |||||||||||||||
163.
The Fright of Astyanax (Hector Taking Leave of Andromache) |
Box 19: 6 | ||||||||||||||
164.
The Fright of Astyanax (Hector Taking Leave of Andromache) |
Box 19: 7 | ||||||||||||||
165.
The Fright of Astyanax... |
Box 19: 8 | ||||||||||||||
166.-167.
The Fright of Astyanax. |
Box 19: 9 | ||||||||||||||
Homeric and Related Subjects (Mythology) | |||||||||||||||
168.
Diomedes and His Horses Stopped by the Lightning of Jupiter |
Box 19: 10 | ||||||||||||||
169.
Juno Receiving the Cestus from Venus |
Box 19: 11 | ||||||||||||||
170.
Thetis Bringing the Armor to Achilles |
Box 19: 12 | ||||||||||||||
171.
Thetis Bringing the Armor.. |
Box 19: 13 | ||||||||||||||
Homeric and Related Subjects (Ancient Mythology) | |||||||||||||||
172.
Thetis Bringing the Armor.. |
Box 19: 14 | ||||||||||||||
Homeric and Related Subjects (Mythology) | |||||||||||||||
173.
Thetis Brining the Armor... |
Box 19: 15 | ||||||||||||||
174.
Thetis Bringing the Armor. Material restricted until January 1, 2025. |
Box 19: 16 | ||||||||||||||
175.
Thetis Bringing the Armor.. |
Box 19: 17 | ||||||||||||||
Homeric and Related Subjects (Classical Mythology) | |||||||||||||||
176.-177.
Iris Delivering Jove's Command to Priam |
Box 19: 18 | ||||||||||||||
Homeric and Related Subjects (Mythology) | |||||||||||||||
178.
Priam Soliciting of Achilles the Body of Hector |
Box 19: 19 | ||||||||||||||
Homeric and Related Subjects (Classical Mythology) | |||||||||||||||
179.
Aeneas and Creusa |
Box 19: 20 | ||||||||||||||
Homeric and Related Subjects (Poetry) | |||||||||||||||
180.
The First Interview of Telemachus With Calypso |
Box 19: 21 | ||||||||||||||
181.-182.
The First Interview of Telemachus with Calypso |
Box 19: 22 | ||||||||||||||
183.-184.
The First Interview of Telemachus with Calypso |
Box 19: 23 | ||||||||||||||
Homeric and Related Subjects (Classical Mythology) | |||||||||||||||
185.
Aegisthus Discovering the Body of Clytemnestra |
Box 19: 24 | ||||||||||||||
186.
Pylades and Orestes |
Box 19: 25 | ||||||||||||||
Homeric and Related Subjects (Mythology) | |||||||||||||||
187.
Pylades and Orestes |
Box 19: 26 | ||||||||||||||
Subjects from Renaissance and Modern Literature (Poetry) | |||||||||||||||
188.-192.
Angelica and Medoro |
Box 19: 27 | ||||||||||||||
193.
The Damsel and Orlando |
Box 19: 28 | ||||||||||||||
194.
The Damsel and Orlando |
Box 19: 29 | ||||||||||||||
195.
Cymon and Iphigenia |
Box 19: 30 | ||||||||||||||
196.-197.
Cymon and Iphigenia. Material restricted until January 1, 2025. |
Box 19: 31 | ||||||||||||||
198.
The Bard. Material restricted until January 1, 2025. |
Box 20: 1 | ||||||||||||||
199.
The Bard |
Box 20: 2 | ||||||||||||||
200.
The Stolen Kiss |
Box 20: 3 | ||||||||||||||
201.-202.
The Stolen Kiss |
Box 20: 4 | ||||||||||||||
203.
Milton's Messiah |
Box 20: 5 | ||||||||||||||
204.
The Grecian Daughter Defending Her Father |
Box 20: 6 | ||||||||||||||
205.-206.
Moonlight |
Box 20: 7 | ||||||||||||||
207.-209.
Hamlet: Act IV, Scene V (Ophelia Before the King and Queen) |
Box 20: 8 | ||||||||||||||
210.
King Lear: Act III, Scene IV (King Lear in the Storm) |
Box 20: 9 | ||||||||||||||
211.
King Lear: Act III, Scene IV... |
Box 20: 10 | ||||||||||||||
212.-214.
Lear and Cordelia |
Box 20: 11 | ||||||||||||||
215.
Lear and Cordelia |
Box 20: 12 | ||||||||||||||
216.
Macbeth and the Witches |
Box 20: 13 | ||||||||||||||
217.
Romeo and Juliet |
Box 20: 14 | ||||||||||||||
218.-219.
Una and the Lion (Mary Hall in the Character of Una) |
Box 20: 15 | ||||||||||||||
220.
The Cave of Despair |
Box 20: 16 | ||||||||||||||
221.
The Cave of Despair |
Box 20: 17 | ||||||||||||||
222.
Fidelia and Speranza |
Box 20: 18 | ||||||||||||||
223.
The Dead Ass, from Sterne |
Box 20: 19 | ||||||||||||||
224.-225.
The Captive, from Sterne |
Box 20: 20 | ||||||||||||||
226.
Rinaldo and Armida |
Box 20: 21 | ||||||||||||||
227.
Rinaldo and Armida |
Box 20: 22 | ||||||||||||||
228.
Rinaldo and Armida |
Box 20: 23 | ||||||||||||||
229.-230.
Rinaldo and Armida |
Box 20: 24 | ||||||||||||||
Subjects from Renaissance and Modern Literature (Mythology) | |||||||||||||||
231.
Musidora and Her Two Companions. Material restricted until January 1, 2025. |
Box 20: 25 | ||||||||||||||
Subjects from the Old Testament and Apocrypha | |||||||||||||||
232.-233.
The Expulsion of Adam and Eve from Paradise |
Box 20: 26 | ||||||||||||||
234.-235.
The Deluge |
Box 20: 27 | ||||||||||||||
236.
Noah Sacrificing |
Box 20: 28 | ||||||||||||||
237.
Abraham Entertaining the Angels |
Box 21: 1 | ||||||||||||||
238.
Lot and his Daughters Conducted by Two Angels |
Box 21: 2 | ||||||||||||||
239.
Hagar and Ishmael |
Box 21: 3 | ||||||||||||||
240.
Abraham and his Son Isaac Going to Sacrifice |
Box 21: 4 | ||||||||||||||
241.
Abraham and his Son Isaac Going to Sacrifice |
Box 21: 5 | ||||||||||||||
242.
Abraham and his Son Isaac... |
Box 21: 6 | ||||||||||||||
243.
Isaac's Servant Tying the Bracelet on Rebecca's Arm |
Box 21: 7 | ||||||||||||||
244.
Rebecca Coming to David |
Box 21: 8 | ||||||||||||||
245.-246.
The Birth of Jacob and Esau |
Box 21: 9 | ||||||||||||||
247.
Jacob and Rachel (Mary, Wife of Henry Thompson, as Rachel) |
Box 21: 10 | ||||||||||||||
248.
Jacob and Rachel |
Box 21: 11 | ||||||||||||||
249.
Jacob and Laban |
Box 21: 12 | ||||||||||||||
250.
Jacob Blesseth Joseph's Two Sons |
Box 21: 13 | ||||||||||||||
251.
The Compassion of Pharoah's Daughter for the Infant Moses |
Box 21: 14 | ||||||||||||||
252.
Moses and Aaron Before Pharoah |
Box 21: 15 | ||||||||||||||
253.
Moses and Aaron Before Pharoah |
Box 21: 16 | ||||||||||||||
254.-255.
Pharoah and his Host Lost in the Red Sea |
Box 21: 17 | ||||||||||||||
256.
Moses Striking the Rock |
Box 21: 18 | ||||||||||||||
257.-259.
Moses Receiving the Laws. Material restricted until January 1, 2025. |
Box 21: 19 | ||||||||||||||
260.
Moses Receiving the Laws |
Box 21: 20 | ||||||||||||||
261.
Moses Receiving the Laws |
Box 21: 21 | ||||||||||||||
262.-263.
Moses and Aaron Sacrificing |
Box 21: 22 | ||||||||||||||
264.
Aaron Stopping the Plague |
Box 21: 23 | ||||||||||||||
265.
The Death of Aaron |
Box 21: 24 | ||||||||||||||
266.-267.
Moses Showing the Brazen Serpent to the Israelites |
Box 21: 25 | ||||||||||||||
268.
Moses Showing the Brazen Serpent |
Box 21: 26 | ||||||||||||||
269.
Moses Shown the Promised Land |
Box 21: 27 | ||||||||||||||
270.
Joshua Passing the River Jordan with The Ark of the Covenant |
Box 21: 28 | ||||||||||||||
271.
Hannah Presenting Samuel to Eli |
Box 21: 29 | ||||||||||||||
272.
Hannah Presenting Samuel to Eli |
Box 21: 30 | ||||||||||||||
273.
The Messenger Announcing to Samuel the Loss of the Battle |
Box 21: 31 | ||||||||||||||
274.
Historical Landscape: Saul Before Samuel and the Prophets |
Box 21: 32 | ||||||||||||||
275.
Saul and the Witch of Endor |
Box 21: 33 | ||||||||||||||
276.
Nathan and David |
Box 22: 1 | ||||||||||||||
277.
The Plague Stayed By the Repentance of David |
Box 22: 2 | ||||||||||||||
278.
Elijah Raising the Widow's Son |
Box 22: 3 | ||||||||||||||
279.
Elisha Raising the Shunamite's Son |
Box 22: 4 | ||||||||||||||
280.-281.
Elisha Raising the Shunamite's Son |
Box 22: 5 | ||||||||||||||
282.
The Destruction of the Assyrians by the Destroying Angel |
Box 22: 6 | ||||||||||||||
283.-285.
The Call of the Prophet Isaiah |
Box 22: 7 | ||||||||||||||
286.-287.
The Call of the Prophet Jeremiah |
Box 22: 8 | ||||||||||||||
288.
Daniel Interpreting to Belshazzar the Writing on the Wall |
Box 22: 9 | ||||||||||||||
289.
A Head, Representing Daniel in the Lion's Den |
Box 22: 10 | ||||||||||||||
290.
The Trial of Susannah |
Box 22: 11 | ||||||||||||||
291.
Tobias Curing His Father's Blindness. Material restricted until January 1, 2025. |
Box 22: 12 | ||||||||||||||
292.
Tobias Curing His Father's Blindness |
Box 22: 13 | ||||||||||||||
293.
Tobias Curing His Father's Blindness |
Box 22: 14 | ||||||||||||||
Subjects from the New Testament | |||||||||||||||
294.-295.
The Naming of John the Baptist |
Box 22: 15 | ||||||||||||||
296.
The Infant St. John |
Box 22: 16 | ||||||||||||||
297.
St. John the Baptist |
Box 22: 17 | ||||||||||||||
298.-299.
The Nativity |
Box 22: 18 | ||||||||||||||
300.
The Nativity |
Box 22: 19 | ||||||||||||||
301.
The Nativity |
Box 22: 20 | ||||||||||||||
302.
Madonna and Child |
Box 22: 21 | ||||||||||||||
303.
The Holy Family |
Box 22: 22 | ||||||||||||||
304.-305.
The Angels Appearing to the Shepherds |
Box 22: 23 | ||||||||||||||
306.-307.
The Angels Appearing to the Shepherds. Material restricted until January 1, 2025. |
Box 22: 24 | ||||||||||||||
308.
The Angels Appearing to the Shepherds |
Box 22: 25 | ||||||||||||||
309.-310.
The Wise Men's Offering |
Box 22: 26 | ||||||||||||||
311.
The Wise Men's Offering |
Box 22: 27 | ||||||||||||||
312.-313.
Simeon with the Child Jesus in his Arms |
Box 22: 28 | ||||||||||||||
314.-315.
Christ Among the Doctors |
Box 22: 29 | ||||||||||||||
316.-317.
The Baptism |
Box 22: 30 | ||||||||||||||
318.
The Woman of Samaria at the Well with Christ |
Box 22: 31 | ||||||||||||||
319.
The Good Samaritan |
Box 22: 32 | ||||||||||||||
320.-322.
The Return of the Prodigal Son. Material restricted until January 1, 2025. |
Box 22: 33 | ||||||||||||||
323.-324.
Christ Showing a Little Child as the Emblem of Heaven |
Box 22: 34 | ||||||||||||||
325.
Christ Showing a Little Child as the Emblem of Heaven |
Box 23: 1 | ||||||||||||||
326.-327.
Christ Showing a Little Child as the Emblem of Heaven |
Box 23: 2 | ||||||||||||||
328.-329.
Christ Showing a Little Child as the Emblem of Heaven |
Box 23: 3 | ||||||||||||||
330.-331.
Christ Blessing Little Children |
Box 23: 4 | ||||||||||||||
332.-333.
Christ Blessing |
Box 23: 5 | ||||||||||||||
334.-335.
Christ Healing the Sick |
Box 23: 6 | ||||||||||||||
336.
Christ Healing the Sick |
Box 23: 7 | ||||||||||||||
337.
Christ Healing the Sick |
Box 23: 8 | ||||||||||||||
338.
Christ Healing the Sick |
Box 23: 9 | ||||||||||||||
339.
The Raising of Lazarus |
Box 23: 10 | ||||||||||||||
340.
The Raising of Lazarus |
Box 23: 11 | ||||||||||||||
341.-342.
The Raising of Lazarus |
Box 23: 12 | ||||||||||||||
343.
Christ Raising the Widow's Son |
Box 23: 13 | ||||||||||||||
344.
The Last Supper |
Box 23: 14 | ||||||||||||||
345.
The Last Supper |
Box 23: 15 | ||||||||||||||
346.-348.
The Last Supper |
Box 23: 16 | ||||||||||||||
349.
Christ in the Hall of Caiaphas |
Box 23: 17 | ||||||||||||||
350.-352.
St. Peter Denying Christ |
Box 23: 18 | ||||||||||||||
353.
Christ Rejected |
Box 23: 19 | ||||||||||||||
354.-355.
Christ Rejected |
Box 23: 20 | ||||||||||||||
356.-357.
The Crucifixion |
Box 23: 21 | ||||||||||||||
358.
The Crucifixion |
Box 23: 22 | ||||||||||||||
359.
The Madre-dolorosa |
Box 23: 23 | ||||||||||||||
360.-361.
The Resurrection |
Box 23: 24 | ||||||||||||||
362.
The Resurrection |
Box 23: 25 | ||||||||||||||
363.
The Resurrection |
Box 24: 1 | ||||||||||||||
364.
The Resurrection |
Box 24: 2 | ||||||||||||||
365.-366.
The Resurrection |
Box 24: 3 | ||||||||||||||
367.-368.
The Three Marys going to the Sepulchre |
Box 24: 4 | ||||||||||||||
369.-370.
Saints Peter and John Running towards the Sepulchre |
Box 24: 5 | ||||||||||||||
371.-372.
The Women at the Sepulchre (The Angel at the Tomb of Christ) |
Box 24: 6 | ||||||||||||||
373.
The Women at the Sepulchre. Material restricted until January 1, 2025. |
Box 24: 7 | ||||||||||||||
374.
The Women at the Sepulchre |
Box 24: 8 | ||||||||||||||
375.
The Women at the Sepulchre |
Box 24: 9 | ||||||||||||||
376.
The Women at the Sepulchre |
Box 24: 10 | ||||||||||||||
377.
The Angel at the Tomb of Christ (The Women at the Sepulchre) |
Box 24: 11 | ||||||||||||||
378.-379.
The Angel at the Tomb of Christ... |
Box 24: 12 | ||||||||||||||
380.-381.
The Ascension |
Box 24: 13 | ||||||||||||||
382.
The Ascension |
Box 24: 14 | ||||||||||||||
383.
The Ascension |
Box 24: 15 | ||||||||||||||
384.
The Ascension |
Box 24: 16 | ||||||||||||||
385.-386.
St. Peter's First Sermon |
Box 24: 17 | ||||||||||||||
387.
The Apostles Imprisoned (Peter Delivered from Prison) |
Box 24: 18 | ||||||||||||||
388.-389.
Devout Men Taking the Body of St. Stephen |
Box 24: 19 | ||||||||||||||
390.-393.
The Conversion of St. Paul |
Box 24: 20 | ||||||||||||||
394.-396.
Paul and Barnabas Rejecting the Jews and Receiving the Gentiles. Material restricted until January 1, 2025. |
Box 24: 21 | ||||||||||||||
397.-398.
St. Paul Shaking the Viper from His Hand after the Shipwreck |
Box 24: 22 | ||||||||||||||
Subjects from the New Testament (Revelation) | |||||||||||||||
399.
The Messiah |
Box 24: 23 | ||||||||||||||
400.
John Called to Write the Revelation |
Box 24: 24 | ||||||||||||||
401.
Death on the Pale Horse |
Box 24: 25 | ||||||||||||||
402.
Death on the Pale Horse |
Box 25: 1 | ||||||||||||||
403.
Death on the Pale Horse |
Box 25: 2 | ||||||||||||||
404.
A Mighty Angel Standeth Upon the Land and Upon the Sea |
Box 25: 3 | ||||||||||||||
405.
The Woman Clothed with the Sun |
Box 25: 4 | ||||||||||||||
406.
St. Michael |
Box 25: 5 | ||||||||||||||
407.
St. Michael |
Box 25: 6 | ||||||||||||||
408.
St. Michael |
Box 25: 7 | ||||||||||||||
409.
The Beast Riseth Out of the Sea |
Box 25: 8 | ||||||||||||||
410.
The Destruction of the Beast and False Prophet |
Box 25: 9 | ||||||||||||||
411.
The Angel in the Sun |
Box 25: 10 | ||||||||||||||
Saints (Poetry) | |||||||||||||||
412.
St. George Destroying the Dragon |
Box 25: 11 | ||||||||||||||
413.
St. George Destroying the Dragon |
Box 25: 12 | ||||||||||||||
Saints (Church History) | |||||||||||||||
414.
St. Margaret of Scotland |
Box 25: 13 | ||||||||||||||
Saints | |||||||||||||||
415.-416.
St. Thomas à Becket |
Box 25: 14 | ||||||||||||||
417.-418.
The Vision of St. Anthony of Padua |
Box 25: 15 | ||||||||||||||
Allegorical Subjects (Portraits) | |||||||||||||||
419.
The Golden Age |
Box 25: 16 | ||||||||||||||
Allegorical Subjects | |||||||||||||||
420.
The Harmony of Affection |
Box 25: 17 | ||||||||||||||
421.
A Lady Leading Three Children Along the Path of Virtue... |
Box 25: 18 | ||||||||||||||
Allegorical Subjects (Poetry) | |||||||||||||||
422.
Omnia Vincit Amor |
Box 25: 19 | ||||||||||||||
Allegorical Subjects | |||||||||||||||
423.
Time Bringing Truth to Light |
Box 25: 20 | ||||||||||||||
424.
The Figure of Victory, Designed for a Monument to Perpetuate the Memorable Battle of Waterloo |
Box 25: 21 | ||||||||||||||
425.
Virtue and Innocence |
Box 25: 22 | ||||||||||||||
Decorative Programs (Allegory) | |||||||||||||||
426.
The Graces Unveiling Nature |
Box 25: 23 | ||||||||||||||
427.
The Graces Unveiling Nature. Material restricted until January 1, 2025. |
Box 25: 24 | ||||||||||||||
428.-431.
Four Elements |
Box 25: 25 | ||||||||||||||
Decorative Programs/Windsor Castle, Marble Gallery (Allegory) | |||||||||||||||
432.
Hymen Leading and Dancing with the Hours... |
Box 26: 1 | ||||||||||||||
433.-434.
Boys with the Insignia of Riches [Boys and the Insignia of the Fine Arts] |
Box 26: 2 | ||||||||||||||
Decorative Programs/Windsor Castle, Queen's Lodge | |||||||||||||||
435.-439.
Queen's Lodge Ceiling |
Box 26: 3 | ||||||||||||||
Decorative Programs/Windsor Castle, Queen's Lodge (Allegory) | |||||||||||||||
435.
Genius Calling Forth Arts and Sciences |
Box 26: 4 | ||||||||||||||
436.
Agriculture (Husbandry Aided by Arts and Commerce) |
Box 26: 5 | ||||||||||||||
437.
British Manufactory (Manufactory Giving Support to Industry) (Etruria) |
Box 26: 6 | ||||||||||||||
438.
British Commerce (The Four Quarters of the Globe Bringing Treasures to Britannia) |
Box 26: 7 | ||||||||||||||
439.
Riches (Marine and Inland Navigation Enriching Britannia) |
Box 26: 8 | ||||||||||||||
Genre Subjects | |||||||||||||||
440.
An Assembly (La Belle Assemblée) |
Box 26: 9 | ||||||||||||||
441.
Beggar Woman and Child |
Box 26: 10 | ||||||||||||||
442.
Children Eating Cherries |
Box 26: 11 | ||||||||||||||
443.
A Drayman Drinking |
Box 26: 12 | ||||||||||||||
444.
A Flower Girl and Child |
Box 26: 13 | ||||||||||||||
445.
Fly Fishing, Evening |
Box 26: 14 | ||||||||||||||
446.
Gentlemen Fishing |
Box 26: 15 | ||||||||||||||
447.
Harvest Home |
Box 26: 16 | ||||||||||||||
448.
The Milk-woman in St. James' Park |
Box 26: 17 | ||||||||||||||
449.
A Mother Inviting her Little Boy to Come to Her... |
Box 26: 18 | ||||||||||||||
450.
Mothers with Their Children Dabbling in a Brook. Material restricted until January 1, 2025. |
Box 26: 19 | ||||||||||||||
451.
Reapers with a View Near Windsor |
Box 26: 20 | ||||||||||||||
452.
Savage Warrior Taking Leave of His Family |
Box 26: 21 | ||||||||||||||
453.
Sheep Washing |
Box 26: 22 | ||||||||||||||
454.
The Student (Man Reading by Candlelight) |
Box 26: 23 | ||||||||||||||
455.
Three Girls Shelling Peas |
Box 26: 24 | ||||||||||||||
456.
Three Ladies Making Music |
Box 26: 25 | ||||||||||||||
457.
Two Young Ladies at Play |
Box 26: 26 | ||||||||||||||
Landscapes | |||||||||||||||
458.-461.
Bath/Bristol [Various Titles] |
Box 26: 27 | ||||||||||||||
462.
Chepstow Castle |
Box 26: 28 | ||||||||||||||
463.
Cranford Bridge |
Box 26: 29 | ||||||||||||||
464.
View from Greenwich Hill |
Box 26: 30 | ||||||||||||||
465.
Mr. West's Garden, Gallery, and Painting-room |
Box 26: 31 | ||||||||||||||
Landscapes (Portraits) | |||||||||||||||
West Family in Garden (See L8) |
Box 26: 32 | ||||||||||||||
Landscapes | |||||||||||||||
466.
The Paddington Passageboats Returning to Uxbridge in the Evening |
Box 26: 33 | ||||||||||||||
467.
The Bathingplace at Ramsgate |
Box 26: 34 | ||||||||||||||
468.
View on the Susquehanna River |
Box 26: 35 | ||||||||||||||
469.
A View on the River Thames at Hammersmith |
Box 27: 1 | ||||||||||||||
470.
The Sun Setting Behind a Group of Trees on the Banks of the Thames at Twickenham |
Box 27: 2 | ||||||||||||||
471.-472.
The Ruins of Tintern Abbey on the Banks of the River Wye |
Box 27: 3 | ||||||||||||||
473.
Landscape Representing the Country Near Windsor |
Box 27: 4 | ||||||||||||||
474.
Landscape: Wood Cutters in Windsor Great Park |
Box 27: 5 | ||||||||||||||
475.
A View of Windsor from Snow Hill, Windsor Great Park |
Box 27: 6 | ||||||||||||||
476.
A View of Snow Hill, Windsor Great Park |
Box 27: 7 | ||||||||||||||
477.
View from the East Terrace of Windsor Castle Looking over Datchet |
Box 27: 8 | ||||||||||||||
478.
View from the North Terrace of Windsor Castle Looking Over Eton |
Box 27: 9 | ||||||||||||||
479.
A View of Tangier Mill, Near Windsor |
Box 27: 10 | ||||||||||||||
480.
Storm at Sea |
Box 27: 11 | ||||||||||||||
481.-482.
Landscape with Cow [Landscape Composition] |
Box 27: 12 | ||||||||||||||
483.
Landscape |
Box 27: 13 | ||||||||||||||
484.-488.
Shepherd Driving Sheep Through Water [Various Titles] |
Box 27: 14 | ||||||||||||||
Animals | |||||||||||||||
489.-497.
Various Titles |
Box 27: 15 | ||||||||||||||
490.-491.
A Bull's Head; A Drove of Oxen |
Box 27: 16 | ||||||||||||||
Miscellaneous Studies | |||||||||||||||
493.
A Child. Material restricted until January 1, 2025. |
Box 27: 17 | ||||||||||||||
[494.].
Three Heads |
Box 27: 18 | ||||||||||||||
Globe [chalk] |
Box 27: 19 | ||||||||||||||
Copies Based on the Elgin Marbles (Mythology) | |||||||||||||||
498.-503.
Compositions Based on the Elgin Marbles [Various Titles] |
Box 27: 20 | ||||||||||||||
Copies After Earlier Paintings | |||||||||||||||
504.
Copy After Venus Lamenting Over the Dead Body of Adonis By a Follower of Annibale Carracci |
Box 27: 21 | ||||||||||||||
Copies After Earlier Paintings (Old Masters) | |||||||||||||||
505.
Copy After the Madonna and Child with St. Jerome by Correggio |
Box 27: 22 | ||||||||||||||
Copies After Earlier Paintings | |||||||||||||||
506.
Copy After the Cumaean Sibyl by Domenichiao |
Box 27: 23 | ||||||||||||||
507.-508.
Copies by Van Dyck [Various Titles] |
Box 27: 24 | ||||||||||||||
509.
Copy or Imitation After Grebling (The First Attempt in Painting by Mr. West, When a Boy, in America) |
Box 27: 25 | ||||||||||||||
510.
Copy After a Sibyl by Mengs |
Box 27: 26 | ||||||||||||||
511.
Copy After a Holy Family by Mengs |
Box 27: 27 | ||||||||||||||
512.
Copy After a Painting of St. Ignatius Loyola, Ascribed to the School of Murillo |
Box 27: 28 | ||||||||||||||
513.-514.
Copies After Various Painting by Raphael |
Box 27: 29 | ||||||||||||||
515.
Copy After the Mill by Rembrandt |
Box 27: 30 | ||||||||||||||
516.
Copy After the Herodias by Guido Reni |
Box 27: 31 | ||||||||||||||
517.
Copy After the Belisarius by Salvatore Rosa |
Box 27: 32 | ||||||||||||||
518.
Jason and the Dragon, An Imitation of Salvatore Rosa |
Box 27: 33 | ||||||||||||||
519.
A Group of Legendary Saints in Imitation of Rubens |
Box 27: 34 | ||||||||||||||
520.
Copy After the Venus of Urbino by Titian |
Box 27: 35 | ||||||||||||||
521.
Copy After a Venus and Adonis by or After Titian |
Box 27: 36 | ||||||||||||||
522.
A Crystal Vase, from Titian |
Box 27: 37 | ||||||||||||||
523.
Copy After a Landscape by William Williams |
Box 27: 38 | ||||||||||||||
Portraits of West and Family | |||||||||||||||
524.
Self-Portrait |
Box 27: 39 | ||||||||||||||
525.
Self-Portrait |
Box 27: 40 | ||||||||||||||
526.
Self-Portrait |
Box 27: 41 | ||||||||||||||
527.-528.
Self-Portrait |
Box 27: 42 | ||||||||||||||
529.
Self-Portrait |
Box 27: 43 | ||||||||||||||
530.
Self-Portrait |
Box 27: 44 | ||||||||||||||
531.
Self-Portrait |
Box 28: 1 | ||||||||||||||
532.
Self-Portrait |
Box 28: 2 | ||||||||||||||
533.
Self-Portrait with Raphael West |
Box 28: 3 | ||||||||||||||
534.
Mrs. Benjamin West (Elizabeth Shewell West) |
Box 28: 4 | ||||||||||||||
535.
Mrs. West with Raphael West |
Box 28: 5 | ||||||||||||||
536.
Mrs. West with Raphael West |
Box 28: 6 | ||||||||||||||
537.
Mrs. West with Raphael West |
Box 28: 7 | ||||||||||||||
538.
Mrs. West with Raphael West |
Box 28: 8 | ||||||||||||||
539.
Mrs. West with Raphael West |
Box 28: 9 | ||||||||||||||
540.-543.
Raphael West (and Benjamin West, Jr.) |
Box 28: 10 | ||||||||||||||
544.
Mrs. Benjamin West, Jr. with Benjamin West III |
Box 28: 11 | ||||||||||||||
545.
John West |
Box 28: 12 | ||||||||||||||
546.
The West Family |
Box 28: 13 | ||||||||||||||
Portraits of The Royal Family | |||||||||||||||
547.
George III |
Box 28: 14 | ||||||||||||||
548.
George III |
Box 28: 15 | ||||||||||||||
549.
George III |
Box 28: 16 | ||||||||||||||
550.
George III |
Box 28: 17 | ||||||||||||||
551.
George III |
Box 28: 18 | ||||||||||||||
552.
George III |
Box 28: 19 | ||||||||||||||
553.-554.
Queen Charlotte |
Box 28: 20 | ||||||||||||||
555.
Queen Charlotte |
Box 28: 21 | ||||||||||||||
556.
Queen Charlotte |
Box 28: 22 | ||||||||||||||
557.
Queen Charlotte |
Box 28: 23 | ||||||||||||||
558.
Queen Charlotte |
Box 28: 24 | ||||||||||||||
559.
George III and Queen Charlotte. Material restricted until January 1, 2025. |
Box 28: 25 | ||||||||||||||
560.
George III and Queen Charlotte |
Box 28: 26 | ||||||||||||||
561.
George III and Queen Charlotte |
Box 28: 27 | ||||||||||||||
562.
Queen Charlotte with Charlotte, Princess Royal |
Box 28: 28 | ||||||||||||||
563.
Charlotte, Princess Royal |
Box 28: 29 | ||||||||||||||
564.
George, Prince of Wales, with Prince Frederick |
Box 28: 30 | ||||||||||||||
565.
Prince George and Prince Frederick |
Box 28: 31 | ||||||||||||||
566.
George, Prince of Wales |
Box 28: 32 | ||||||||||||||
567.
Prince Frederick |
Box 28: 33 | ||||||||||||||
568.
Prince William and Prince Edward |
Box 28: 34 | ||||||||||||||
569.
Prince William |
Box 28: 35 | ||||||||||||||
570.
Six Children of George III |
Box 28: 36 | ||||||||||||||
571.-572.
Prince Augustus |
Box 28: 37 | ||||||||||||||
573.
Prince Adolphus, Princess Mary, and Princess Sophia |
Box 28: 38 | ||||||||||||||
574.
Prince Octavius |
Box 28: 39 | ||||||||||||||
575.
The Apotheosis of Prince Alfred and Prince Octavius |
Box 28: 40 | ||||||||||||||
576.
The Royal Family |
Box 28: 41 | ||||||||||||||
577.
Princess Amelia |
Box 28: 42 | ||||||||||||||
578.
Prince William and Princess Sophia of Gloucester |
Box 28: 43 | ||||||||||||||
Portraits of Other Identified Subjects | |||||||||||||||
579.
William Abercromby, Esq., of Glassaugh, Banffshire |
Box 29: 1 | ||||||||||||||
580.
Mrs. William Abercromby. Material restricted until January 1, 2025. |
Box 29: 2 | ||||||||||||||
581.
William Allen. Material restricted until January 1, 2025. |
Box 29: 3 | ||||||||||||||
582.
John Allen. Material restricted until January 1, 2025. |
Box 29: 4 | ||||||||||||||
583.
Andrew Allen. Material restricted until January 1, 2025. |
Box 29: 5 | ||||||||||||||
584.
Anne Allen (Mrs. John Penn) |
Box 29: 6 | ||||||||||||||
585.
Sir Edward Astley, Bt. |
Box 29: 7 | ||||||||||||||
586.
Sir Joseph Banks. Material restricted until January 1, 2025. |
Box 29: 8 | ||||||||||||||
587.
Sir Francis Baring, Bt. |
Box 29: 9 | ||||||||||||||
588.
Lady Diana Mary Barker of Speen House, Berkshire |
Box 29: 10 | ||||||||||||||
589.
Mrs. Shute Barrington |
Box 29: 11 | ||||||||||||||
590.
Sir Thomas Beauchamp-Proctor, Bt., of Langley Park, Norfolk |
Box 29: 12 | ||||||||||||||
591.
Lady Beauchap-Proctor |
Box 29: 13 | ||||||||||||||
592.
Peter Beckford |
Box 29: 14 | ||||||||||||||
593.
Mrs. Peter Beckford |
Box 29: 15 | ||||||||||||||
594.
Mrs. William Beckford |
Box 29: 16 | ||||||||||||||
595.
Captain Christopher Codrington Bethell |
Box 29: 17 | ||||||||||||||
596.-597.
Dr. and Mrs. Samuel Boudé |
Box 29: 18 | ||||||||||||||
598.-599.
The Reverend and Mrs. Robert Anthony Bromley |
Box 29: 19 | ||||||||||||||
600.
Francis Godolphin Osborne, Marquesse of Carmarthen... |
Box 29: 20 | ||||||||||||||
601.
Stephen Carmick |
Box 29: 21 | ||||||||||||||
602.
The Cartwright Children. Material restricted until January 1, 2025. |
Box 29: 22 | ||||||||||||||
603.
Sir Charles Cottrell Dormer |
Box 29: 23 | ||||||||||||||
604.
Lady Cottrell Dormer |
Box 29: 24 | ||||||||||||||
605.
Clement Cottrell Dormer |
Box 29: 25 | ||||||||||||||
606.
Mr. and Mrs. Robert Crafton. Material restricted until January 1, 2025. |
Box 29: 26 | ||||||||||||||
607.
Mr. and Mrs. John Custance |
Box 29: 27 | ||||||||||||||
608.
The Drummond Brothers |
Box 29: 28 | ||||||||||||||
609.
The Drummond Brothers |
Box 29: 29 | ||||||||||||||
610.
Three Members of the Drummond Family |
Box 29: 30 | ||||||||||||||
611.
Three Members of the Drummond Family |
Box 29: 31 | ||||||||||||||
612.
Mrs. Dundas and Her Daughter. Material restricted until January 1, 2025. |
Box 29: 32 | ||||||||||||||
613.
Grizzel Dundas as Hebe. Material restricted until January 1, 2025. |
Box 29: 33 | ||||||||||||||
614.
Dr. Enoch Edwards |
Box 29: 34 | ||||||||||||||
615.
Elizabeth, Countess of Effingham |
Box 29: 35 | ||||||||||||||
616.
James Veitch, Lord Eliock |
Box 29: 36 | ||||||||||||||
617.
Harry Fetherstonhaugh |
Box 29: 37 | ||||||||||||||
618.
Benjamin Franklin |
Box 29: 38 | ||||||||||||||
619.
Sarah Franklin (Mrs. Richard Bache) |
Box 30: 1 | ||||||||||||||
620.-621.
Robert Fulton |
Box 30: 2 | ||||||||||||||
622.
Jane Galloway (Mrs. Joseph Shippen) |
Box 30: 3 | ||||||||||||||
623.
Sir Sampson Gideon, Bt. (Later Lord Eardley) |
Box 30: 4 | ||||||||||||||
624.
Jane, Lady Grant. Material restricted until January 1, 2025. |
Box 30: 5 | ||||||||||||||
625.
George Harry Grey, Lord Grey (Later the Fifth Earl of Stamford). Material restricted until January 1, 2025. |
Box 30: 6 | ||||||||||||||
626.
Booth Grey |
Box 30: 7 | ||||||||||||||
627.
John Grey |
Box 30: 8 | ||||||||||||||
628.
Sir John Griffin Griffin |
Box 30: 9 | ||||||||||||||
629.
Anna Maria, Lady Griffin |
Box 30: 10 | ||||||||||||||
630.
Catherine, Lady Griffin |
Box 30: 11 | ||||||||||||||
631.
Richard, Lord Grosvenor, Later First Earl Grosvenor |
Box 30: 12 | ||||||||||||||
632.
Thomas Grosvenor of Swell Court |
Box 30: 13 | ||||||||||||||
633.
Governor James Hamilton |
Box 30: 14 | ||||||||||||||
634.
William Hamilton and His Niece Anna Hamilton |
Box 30: 15 | ||||||||||||||
635.
Mrs. Richard Hare (Martha Harford Hare). Material restricted until January 1, 2025. |
Box 30: 16 | ||||||||||||||
636.
Edward Hase. Material restricted until January 1, 2025. |
Box 30: 17 | ||||||||||||||
637.
William Henry |
Box 30: 18 | ||||||||||||||
638.
Mrs. William Henry |
Box 30: 19 | ||||||||||||||
639.
Lord Hood |
Box 30: 20 | ||||||||||||||
640.
The Hope Family |
Box 30: 21 | ||||||||||||||
641.
Mrs. Thomas Hopkinson |
Box 30: 22 | ||||||||||||||
642.
Ann Inglis |
Box 30: 23 | ||||||||||||||
643.
Mary Inglis. Material restricted until January 1, 2025. |
Box 30: 24 | ||||||||||||||
644.
Joshua Iremonger. Material restricted until January 1, 2025. |
Box 30: 25 | ||||||||||||||
645.
Joshua Ire monger |
Box 30: 26 | ||||||||||||||
646.
Mrs. William James |
Box 30: 27 | ||||||||||||||
647.
Sir William Johnson, Bt. |
Box 30: 28 | ||||||||||||||
648.
William Kelly |
Box 30: 29 | ||||||||||||||
649.
Mrs. Thomas Keyes and her Daughter. Material restricted until January 1, 2025. |
Box 30: 30 | ||||||||||||||
650.
General Tadeusz Kosciuszko |
Box 30: 31 | ||||||||||||||
651.
The Lane Children |
Box 30: 32 | ||||||||||||||
652.-654.
George, First Lord Lyttelton. Material restricted until January 1, 2025. |
Box 30: 33 | ||||||||||||||
655.
William Markham, Archbishop of York |
Box 30: 34 | ||||||||||||||
656.
Charles Maynard |
Box 30: 35 | ||||||||||||||
657.
Lydia Sterne de Médalle |
Box 30: 36 | ||||||||||||||
658.
Captain Charles Pierrepont Medows... |
Box 30: 37 | ||||||||||||||
659.
William Middleton |
Box 30: 38 | ||||||||||||||
660.
Thomas Middleton of Crowfield |
Box 31: 1 | ||||||||||||||
661.
Arthur Middleton, His Wife Mary Izard, and Their Son Henry Middleton |
Box 31: 2 | ||||||||||||||
662.
Thomas Middleton of The Oaks |
Box 31: 3 | ||||||||||||||
663.
Thomas Mifflin |
Box 31: 4 | ||||||||||||||
664.
Elizabeth Milward |
Box 31: 5 | ||||||||||||||
665.
General Robert Monckton |
Box 31: 6 | ||||||||||||||
666.
Samuel More |
Box 31: 7 | ||||||||||||||
667.
Robert Morris |
Box 31: 8 | ||||||||||||||
668.
Jane Morris |
Box 31: 9 | ||||||||||||||
669.-671.
Mr. and Mrs. John Sawrey Morritt. Material restricted until January 1, 2025. |
Box 31: 10 | ||||||||||||||
672.
Moses the Jew |
Box 31: 11 | ||||||||||||||
673.
John Murray |
Box 31: 12 | ||||||||||||||
674.
Richard Newcome, Bishop of St. Asaph |
Box 31: 13 | ||||||||||||||
675.
Thomas Newton, Bishop of Bristol |
Box 31: 14 | ||||||||||||||
676.
Anne, Countess of Northampton, and her Daughter, Lady Elizabeth Compton |
Box 31: 15 | ||||||||||||||
677.
Spencer Compton, Eighth Earl of Northampton, with His Wife and Children |
Box 31: 16 | ||||||||||||||
678.
Captain John Neale Pleydell Nott |
Box 31: 17 | ||||||||||||||
679.
Admiral Ommanney |
Box 31: 18 | ||||||||||||||
680.
Charles Willson Peale |
Box 31: 19 | ||||||||||||||
681.
Elizabeth Peel |
Box 31: 20 | ||||||||||||||
682.
Lady Juliana Penn |
Box 31: 21 | ||||||||||||||
683.
William Henry Cavendish Bentinck, Third Duke of Portland, and His Brother, Lord Edward Bentinck. Material restricted until January 1, 2025. |
Box 31: 22 | ||||||||||||||
684.
The Third Duke of Portland |
Box 31: 23 | ||||||||||||||
685.-686.
The Reverend Samuel Preston |
Box 31: 24 | ||||||||||||||
687.-688.
Dr. Richard Price |
Box 31: 25 | ||||||||||||||
689.
Thomas Robinson (Later Lord Grantham) |
Box 31: 26 | ||||||||||||||
690.
Sarah Ursula Rose |
Box 31: 27 | ||||||||||||||
691.-692.
Mr. And Mrs. George Ross |
Box 31: 28 | ||||||||||||||
693.
Catherine Ross. Material restricted until January 1, 2025. |
Box 31: 29 | ||||||||||||||
694.
Alderman John Sawbridge |
Box 31: 30 | ||||||||||||||
695.
John Sedley |
Box 31: 31 | ||||||||||||||
696.
The Sheridan Family |
Box 31: 32 | ||||||||||||||
697.
Mrs. Sheridan |
Box 31: 33 | ||||||||||||||
698.
Sir John Sinclair of Ulbster, Bt. |
Box 31: 34 | ||||||||||||||
699.-700.
The Reverend William Smith |
Box 31: 35 | ||||||||||||||
701.
Mrs. William Smith (Rebecca Moore) |
Box 31: 36 | ||||||||||||||
702.-703.
Sir Thomas Strange |
Box 31: 37 | ||||||||||||||
704.
Lady Strange |
Box 31: 38 | ||||||||||||||
705.
Richard Terrick, Bishop of London |
Box 32: 1 | ||||||||||||||
706.
John Utterson of Fareham, Hampshire |
Box 32: 2 | ||||||||||||||
707.
Mrs. Vanderwall |
Box 32: 3 | ||||||||||||||
708.
Thomas Vesey, First Viscount de Vesci and Lady de Vesci |
Box 32: 4 | ||||||||||||||
709.-710.
Selina Elizabeth Brookes, Viscountess de Vesci |
Box 32: 5 | ||||||||||||||
711.
George Warde |
Box 32: 6 | ||||||||||||||
712.
Dr. Warren |
Box 32: 7 | ||||||||||||||
713.
William Wellesley (Later William Wellesley-Pole, First Baron Maryborough, and Third Earl of Mornington) |
Box 32: 8 | ||||||||||||||
714.
Joseph Wilcocks |
Box 32: 9 | ||||||||||||||
715.
John Williams |
Box 32: 10 | ||||||||||||||
716.
Mrs. John Williams |
Box 32: 11 | ||||||||||||||
717.
Charles Willing, Jr. |
Box 32: 12 | ||||||||||||||
718.
John Eardley Wilmot |
Box 32: 13 | ||||||||||||||
719.-720.
General James Wolfe As A Boy |
Box 32: 14 | ||||||||||||||
721.
Mrs. Jonathan Worrell as Hebe |
Box 32: 15 | ||||||||||||||
722.
Diana Wyld |
Box 32: 16 | ||||||||||||||
723.
Sir William Young, Bt., With His Wife Elizabeth and a Child |
Box 32: 17 | ||||||||||||||
724.-725.
William Young |
Box 32: 18 | ||||||||||||||
Portraits of Other Miscellaneous Groups | |||||||||||||||
726.-727.
The Cricketers. Material restricted until January 1, 2025. |
Box 32: 19 | ||||||||||||||
728.
Two Officers and a Groom in a Landscape |
Box 32: 20 | ||||||||||||||
729.
The Ambassador from Tunis with His Attendants as He Appeared in England in 1781 |
Box 32: 21 | ||||||||||||||
Portraits of Unidentified Subjects | |||||||||||||||
730.
Unidentified Man ("The Prince of Savoy"). Material restricted until January 1, 2025. |
Box 32: 22 | ||||||||||||||
731.
Unidentified Man |
Box 32: 23 | ||||||||||||||
732.
A Mother with Two Children. Material restricted until January 1, 2025. |
Box 32: 24 | ||||||||||||||
733.
Unidentified Woman as Hebe |
Box 32: 25 | ||||||||||||||
734.
Unidentified Man (? Dr. Homan) |
Box 32: 26 | ||||||||||||||
735.-739.
Unidentified Portraits (Various Titles) |
Box 32: 27 |
Series 7: Rejected Attributions | |||||||||||||||
Ancient History | |||||||||||||||
Sacrifice of the Bull |
Box 32: 28 | ||||||||||||||
Continence of Scipio |
Box 32: 29 | ||||||||||||||
Socrates (Apolloni) |
Box 32: 30 | ||||||||||||||
Alexander and Apelles |
Box 32: 31 | ||||||||||||||
Alkibiades Saving the Life of Socrates |
Box 32: 32 | ||||||||||||||
Segestus and His Daughter Brought to Germanicus [See Wife of Arminius Brought Captive to Germanicus] | |||||||||||||||
Socrates Protecting Alkibiades |
Box 32: 33 | ||||||||||||||
Death of Demosthenes |
Box 32: 34 | ||||||||||||||
Death of Cicero |
Box 32: 35 | ||||||||||||||
Cyrus Liberating the Family of Asmages [See Family of King of Armenia] | |||||||||||||||
Tent of Darius |
Box 32: 36 | ||||||||||||||
Death of Lucretia |
Box 32: 37 | ||||||||||||||
The Grecian Daughter [See Poetry, Drama] | |||||||||||||||
Pythagoras and Friends in Athens |
Box 32: 38 | ||||||||||||||
Scene from Roman History |
Box 33: 1 | ||||||||||||||
Vestal Virgin |
Box 33: 2 | ||||||||||||||
Leave Taking of a Warrior |
Box 33: 3 | ||||||||||||||
Pyrrhus Cincinnatus |
Box 33: 4 | ||||||||||||||
Socrates Defends [empty] |
Box 33: 5 | ||||||||||||||
Agrippina, Wife of Germanicus |
Box 33: 6 | ||||||||||||||
Death of Socrates |
Box 33: 7 | ||||||||||||||
Vision of Constantine |
Box 33: 8 | ||||||||||||||
English History | |||||||||||||||
Death of General Wolfe |
Box 33: 9 | ||||||||||||||
Penn's Treaty with the Indians |
Box 33: 10 | ||||||||||||||
Peace Treaty with England |
Box 33: 11 | ||||||||||||||
King Charles at the Beach of Dover [See Restoration of King Charles] | |||||||||||||||
Death of Wat Tyler |
Box 33: 12 | ||||||||||||||
King John and the Barons with Magna Carta |
Box 33: 13 | ||||||||||||||
William I Receiving the Crown in England [See Citizens of London Offering the Crown to William the Conqueror] | |||||||||||||||
Triumph of Nelson After the Battle of the Nile |
Box 33: 14 | ||||||||||||||
Death of Nelson |
Box 33: 15 | ||||||||||||||
Earl Richard Howe |
Box 33: 16 | ||||||||||||||
Queen Boadisea |
Box 33: 17 | ||||||||||||||
Unidentified Scene |
Box 33: 18 | ||||||||||||||
The Burial of Brigadier General Simon Fraser |
Box 33: 19 | ||||||||||||||
Various Scenes |
Box 33: 20 | ||||||||||||||
King William at Torbay |
Box 33: 21 | ||||||||||||||
The Baptism of Henry VIII |
Box 33: 22 | ||||||||||||||
Mythology | |||||||||||||||
Venus Mourns Adonis |
Box 33: 23 | ||||||||||||||
Helen Brought to Paris |
Box 33: 24 | ||||||||||||||
Telemachus and Calypso |
Box 33: 25 | ||||||||||||||
Unidentified Scene [woman, cupid and maid] |
Box 33: 26 | ||||||||||||||
Vertumnus and Pomona |
Box 33: 27 | ||||||||||||||
Prometheus Bound |
Box 33: 28 | ||||||||||||||
Venus Approaching the Island of Pathos |
Box 33: 29 | ||||||||||||||
Bacchante |
Box 33: 30 | ||||||||||||||
Unidentified Subject [woman pulled away] |
Box 33: 31 | ||||||||||||||
Venus and Cupid |
Box 33: 32 | ||||||||||||||
Cupid Stung By a Bee |
Box 33: 33 | ||||||||||||||
Thetis Bringing Armor to Achilles |
Box 33: 34 | ||||||||||||||
Cupid Stringing His Bow |
Box 33: 35 | ||||||||||||||
Telemachus and Calypso |
Box 33: 36 | ||||||||||||||
Telemachus and Calypso |
Box 33: 37 | ||||||||||||||
Ulysses and Laertes |
Box 33: 38 | ||||||||||||||
Lady as Hebe [See Mrs. Worrell] | |||||||||||||||
Death of Dido |
Box 33: 39 | ||||||||||||||
Head of a Young Faun |
Box 33: 40 | ||||||||||||||
Melpomeny |
Box 33: 41 | ||||||||||||||
The Origin of Painting |
Box 33: 42 | ||||||||||||||
Pluto Carrying Off Proserpina |
Box 33: 43 | ||||||||||||||
Prometheus Bound |
Box 33: 44 | ||||||||||||||
Prometheus Bound |
Box 33: 45 | ||||||||||||||
Prometheus Bound |
Box 33: 46 | ||||||||||||||
Prometheus Bound |
Box 33: 47 | ||||||||||||||
Prometheus Bound |
Box 34: 1 | ||||||||||||||
Thalia |
Box 34: 2 | ||||||||||||||
Thetis Presenting Achilles to the Centaur |
Box 34: 3 | ||||||||||||||
Sculptured Head in Profile |
Box 34: 4 | ||||||||||||||
The Calydonian Bear |
Box 34: 5 | ||||||||||||||
Bacchus |
Box 34: 6 | ||||||||||||||
Bacchic Procession |
Box 34: 7 | ||||||||||||||
Cupid(?) |
Box 34: 8 | ||||||||||||||
Diana and Actaeon |
Box 34: 9 | ||||||||||||||
Cupid Inspiring a Maiden to Write of Love |
Box 34: 10 | ||||||||||||||
Phoebus and His Chariot |
Box 34: 11 | ||||||||||||||
Pan and Psyche |
Box 34: 12 | ||||||||||||||
Psyche and Amor Asleep |
Box 34: 13 | ||||||||||||||
Three Graces |
Box 34: 14 | ||||||||||||||
Venus and Her Nymphs |
Box 34: 15 | ||||||||||||||
Venus and Adonis; Venus and Cupid; Bath of Venus |
Box 34: 16 | ||||||||||||||
Venus |
Box 34: 17 | ||||||||||||||
The Last of the Tarquins; Various Scenes |
Box 34: 18 | ||||||||||||||
Diana and Companion |
Box 34: 19 | ||||||||||||||
Venus Rising From the Sea |
Box 34: 20 | ||||||||||||||
Psyche with the Cup for the Cup of the Eagle |
Box 34: 21 | ||||||||||||||
Hercules and Cacus(?) |
Box 34: 22 | ||||||||||||||
Amour and Psyche |
Box 34: 23 | ||||||||||||||
Hebe |
Box 34: 24 | ||||||||||||||
Apollo |
Box 34: 25 | ||||||||||||||
Apollo's Enchantment |
Box 34: 26 | ||||||||||||||
Helen Brought to Paris |
Box 34: 27 | ||||||||||||||
Various Scenes |
Box 34: 28 | ||||||||||||||
Poetry, Drama | |||||||||||||||
Troilus and Cressida |
Box 34: 29 | ||||||||||||||
Lear and Cordelia |
Box 34: 30 | ||||||||||||||
Cymon and Iphigenia |
Box 34: 31 | ||||||||||||||
Musidora |
Box 34: 32 | ||||||||||||||
The Bard |
Box 34: 33 | ||||||||||||||
Brutus and Spectre |
Box 34: 34 | ||||||||||||||
Erminia and The Shepherd |
Box 34: 35 | ||||||||||||||
Scene from Orlando Furioso [See The Damsel and Orlando] | |||||||||||||||
Lovers Killed By Lightning |
Box 34: 36 | ||||||||||||||
Scene from Pericles |
Box 34: 37 | ||||||||||||||
The Penance of Jane Shore |
Box 34: 38 | ||||||||||||||
Homer Milton Virgil |
Box 34: 39 | ||||||||||||||
Timon of Athens and Alkibiades |
Box 34: 40 | ||||||||||||||
Scene From Tasso |
Box 34: 41 | ||||||||||||||
Lear and Cordelia |
Box 34: 42 | ||||||||||||||
Belinda |
Box 34: 43 | ||||||||||||||
Scene From Coriolanus |
Box 34: 44 | ||||||||||||||
John Philip Kemble as Rolla |
Box 34: 45 | ||||||||||||||
Religious, General | |||||||||||||||
Royal Chapel at Windsor |
Box 34: 46 | ||||||||||||||
Wyatt architectural scheme at Windsor |
Box 34: 47 | ||||||||||||||
King's Chapel, Windsor Castle |
Box 34: 48 | ||||||||||||||
The Evangelists |
Box 34: 49 | ||||||||||||||
Revealed Religion, 1801 scheme |
Box 34: 50 | ||||||||||||||
Angel |
Box 34: 51 | ||||||||||||||
An Angel |
Box 34: 52 | ||||||||||||||
Head of An Angel |
Box 34: 53 | ||||||||||||||
Angel |
Box 34: 54 | ||||||||||||||
Two Angels [See Angels of Annunciation] | |||||||||||||||
David Playing the Harp Singing His Psalms [See Old Testament] | |||||||||||||||
St. Michael [See Revelation (New Testament)] | |||||||||||||||
David Playing the Harp |
Box 34: 55 | ||||||||||||||
Head of John the Baptist |
Box 34: 56 | ||||||||||||||
Mary Magdalene |
Box 34: 57 | ||||||||||||||
St. Cecilia |
Box 34: 58 | ||||||||||||||
Male Saint Refusing to Worship Statue of Neptune |
Box 34: 59 | ||||||||||||||
The Baptism of the Eunuch |
Box 34: 60 | ||||||||||||||
The Death of Eustace St. Celaine |
Box 34: 61 | ||||||||||||||
Old Testament | |||||||||||||||
Jeptha's Daughter |
Box 34: 62 | ||||||||||||||
Various Scenes |
Box 34: 63 | ||||||||||||||
Noah Sacrificing |
Box 34: 64 | ||||||||||||||
Abraham/Hagar/ Ishmael |
Box 35: 1 | ||||||||||||||
Moses Showing the Brazen Serpents to the Israelites |
Box 35: 2 | ||||||||||||||
Nehemiah's Request to Rebuild Jerusalem |
Box 35: 3 | ||||||||||||||
Judith with the Head of Holofernes |
Box 35: 4 | ||||||||||||||
Moses Breaking the Tablets |
Box 35: 5 | ||||||||||||||
David Anointed King (for Windsor Chapel) |
Box 35: 6 | ||||||||||||||
The Twelve Tribes Drawing Lots For the Lands of Their Inheritance (for Windsor Chapel) |
Box 35: 7 | ||||||||||||||
Moses Presenting Joshua... (for Windsor Chapel) |
Box 35: 8 | ||||||||||||||
Adam and Eve Created |
Box 35: 9 | ||||||||||||||
Eve |
Box 35: 10 | ||||||||||||||
Jacob and Laban (Esau Selling his Birthright) |
Box 35: 11 | ||||||||||||||
Esau Sent Out to Hunt |
Box 35: 12 | ||||||||||||||
Joseph in Prison |
Box 35: 13 | ||||||||||||||
Bondage of the Israelites in Egypt (for the King's Chapel at Windsor) |
Box 35: 14 | ||||||||||||||
The Call of Moses, Before the Burning Bush |
Box 35: 15 | ||||||||||||||
Pharaoh and His Host Lost in the Red Sea... |
Box 35: 16 | ||||||||||||||
Joseph and His Brothers in Egypt |
Box 35: 17 | ||||||||||||||
Expulsion of Hagar |
Box 35: 18 | ||||||||||||||
Moses With the Brazen Serpent (Engraved by Macklin) [See Religion - General] | Box 35 | ||||||||||||||
The Naming of Samuel and the Prophesying of Zacharias [See the Naming of John, etc, New Testament] | Box 35 | ||||||||||||||
Samson (Samson Bound) |
Box 35: 19 | ||||||||||||||
The Disobedient Prophet |
Box 35: 20 | ||||||||||||||
Job and His Comforters |
Box 35: 21 | ||||||||||||||
The Age of Innocence (Based on Isaiah 11?) |
Box 35: 22 | ||||||||||||||
Two High Priests |
Box 35: 23 | ||||||||||||||
Jonah Delivered from the Whale |
Box 35: 24 | ||||||||||||||
Abraham and Isaac |
Box 35: 25 | ||||||||||||||
Return from the Promised Land |
Box 35: 26 | ||||||||||||||
The Israelites and Moses Crossing the Red Sea |
Box 35: 27 | ||||||||||||||
The Madness of Nebuchadnezzar |
Box 35: 28 | ||||||||||||||
Tobias Curing His Father's Blindness |
Box 35: 29 | ||||||||||||||
The Death of Jacob... |
Box 35: 30 | ||||||||||||||
New Testament | |||||||||||||||
Christ Preachings |
Box 35: 31 | ||||||||||||||
Annunciation to the Shepherds |
Box 35: 32 | ||||||||||||||
Holy Family (?) |
Box 35: 33 | ||||||||||||||
The Baptism of Christ... |
Box 35: 34 | ||||||||||||||
John the Baptist Preaching |
Box 35: 35 | ||||||||||||||
Christ's Temptation and Victory |
Box 35: 36 | ||||||||||||||
Christ Beginneth to Preach at Nazareth, His Native Place |
Box 35: 37 | ||||||||||||||
Christ in Wilderness |
Box 35: 38 | ||||||||||||||
Virgin and Child |
Box 35: 39 | ||||||||||||||
The Annunciation to the Virgin |
Box 35: 40 | ||||||||||||||
The Annunciation to the Virgin |
Box 35: 41 | ||||||||||||||
Adoration of the Shepherds or Christ's Birth (for Windsor Chapel) |
Box 35: 42 | ||||||||||||||
Nativity |
Box 35: 43 | ||||||||||||||
Nativity |
Box 35: 44 | ||||||||||||||
Christ's Birth or Adoration of the Shepherds (for Windsor Chapel) |
Box 35: 45 | ||||||||||||||
Madonna and Child |
Box 35: 46 | ||||||||||||||
The Virgin of the Rosaries after Rubens |
Box 35: 47 | ||||||||||||||
The Annunciation to the Shepherds or Two Singing Angels |
Box 35: 48 | ||||||||||||||
Slaughter of the Innocents |
Box 35: 49 | ||||||||||||||
Christ Healing the Sick |
Box 35: 50 | ||||||||||||||
Christ Raising the Daughter of Jairus |
Box 35: 51 | ||||||||||||||
Resurrection of Lazarus |
Box 35: 52 | ||||||||||||||
Christ Expelling the Money Lenders; Christ Healing the Sick |
Box 35: 53 | ||||||||||||||
Christ Healing the Blind Beggar |
Box 35: 54 | ||||||||||||||
Mary Magdalen Washing Christ's Feet |
Box 35: 55 | ||||||||||||||
Various Titles |
Box 35: 56 | ||||||||||||||
Christ Dividing the Loaves and Fishes |
Box 35: 57 | ||||||||||||||
Christ and Centurion; Study for the Death of Wolfe |
Box 35: 58 | ||||||||||||||
Incredulity of Thomas |
Box 35: 59 | ||||||||||||||
The Presentation in the Temple |
Box 35: 60 | ||||||||||||||
The Nativity |
Box 35: 61 | ||||||||||||||
Passion | |||||||||||||||
The Last Supper |
Box 35: 62 | ||||||||||||||
The Last Supper |
Box 35: 63 | ||||||||||||||
Agony in the Garden |
Box 35: 64 | ||||||||||||||
Agony in the Garden |
Box 36: 1 | ||||||||||||||
Christ Rejected |
Box 36: 2 | ||||||||||||||
Christ on the Mount of Olives |
Box 36: 3 | ||||||||||||||
The Crucified Christ |
Box 36: 4 | ||||||||||||||
The Crucifixion (drawings) |
Box 36: 5 | ||||||||||||||
The Crucifixion (for King's Chapel) |
Box 36: 6 | ||||||||||||||
Crucifixion |
Box 36: 7 | ||||||||||||||
Deposition |
Box 36: 8 | ||||||||||||||
Lamentation on the Dead Christ |
Box 36: 9 | ||||||||||||||
Christ and Angels on Sepulchre |
Box 36: 10 | ||||||||||||||
The Two Marys and the Risen Christ |
Box 36: 11 | ||||||||||||||
Three Women at Tomb of Christ |
Box 36: 12 | ||||||||||||||
Christ and the Column |
Box 36: 13 | ||||||||||||||
The Resurrection |
Box 36: 14 | ||||||||||||||
The Angels Sitting on the Stone at the Sepulchre |
Box 36: 15 | ||||||||||||||
The Angels Sitting on the Stone at the Sepulchre |
Box 36: 16 | ||||||||||||||
Angel at the Tomb of the Risen Christ |
Box 36: 17 | ||||||||||||||
Angel at the Tomb of the Risen Christ (And Three Marys) |
Box 36: 18 | ||||||||||||||
Angel of Three Marys at the Tomb |
Box 36: 19 | ||||||||||||||
The Ascension |
Box 36: 20 | ||||||||||||||
The Ascension |
Box 36: 21 | ||||||||||||||
Acts and Revelation | |||||||||||||||
St. Paul Before Agrippa; The Emperor Theodosius Refused Admission into the Church by St. Ambrose |
Box 36: 22 | ||||||||||||||
The Conversion of St. Paul |
Box 36: 23 | ||||||||||||||
The Apostles Preaching and Working Miracles (for the Royal Chapel at Windsor) |
Box 36: 24 | ||||||||||||||
Conversion of St. Paul |
Box 36: 25 | ||||||||||||||
St. Paul Preaching in Athens |
Box 36: 26 | ||||||||||||||
Paul Before Felix |
Box 36: 27 | ||||||||||||||
Six Scenes from the Acts |
Box 36: 28 | ||||||||||||||
Saints and Evangelists (various titles) |
Box 36: 29 | ||||||||||||||
Charity |
Box 36: 30 | ||||||||||||||
Charity |
Box 36: 31 | ||||||||||||||
Faith |
Box 36: 32 | ||||||||||||||
Christ Ascending |
Box 36: 33 | ||||||||||||||
Meekness with Lamb |
Box 36: 34 | ||||||||||||||
Hope |
Box 36: 35 | ||||||||||||||
The Angel of the Resurrection |
Box 36: 36 | ||||||||||||||
Revelation | |||||||||||||||
Death on the Pale Horse [1787] |
Box 36: 37 | ||||||||||||||
Death on the Pale Horse [1802] |
Box 36: 38 | ||||||||||||||
Death on the Pale Horse [drawing] |
Box 36: 39 | ||||||||||||||
The Last Judgment (for Windsor Chapel) |
Box 36: 40 | ||||||||||||||
Saints Prostrating Themselves Before the Throne of God |
Box 36: 41 | ||||||||||||||
The New Jerusalem (for Windsor Chapel) |
Box 36: 42 | ||||||||||||||
The General Resurrection, the End of Death (for Windsor Chapel) |
Box 36: 43 | ||||||||||||||
Allegory | |||||||||||||||
Innocence |
Box 36: 44 | ||||||||||||||
Peace and Riches Cherishing the Fine Arts (for the Queen's Lodge) |
Box 36: 45 | ||||||||||||||
Various titles |
Box 36: 46 | ||||||||||||||
The Golden Age (Mother and Child) |
Box 36: 47 | ||||||||||||||
Three Ages of Man |
Box 36: 48 | ||||||||||||||
The Golden Age (Mrs. West and the Sleeping Child) |
Box 36: 49 | ||||||||||||||
The Golden Age (Mrs. West and the Sleeping Child) |
Box 36: 50 | ||||||||||||||
Astronomy and Navigation (for Windsor Castle) |
Box 36: 51 | ||||||||||||||
Botany |
Box 36: 52 | ||||||||||||||
Sculpture |
Box 36: 53 | ||||||||||||||
Painting |
Box 36: 54 | ||||||||||||||
Architecture |
Box 36: 55 | ||||||||||||||
Music |
Box 36: 56 | ||||||||||||||
Astronomy |
Box 36: 57 | ||||||||||||||
Sound (from the Series of the Five Senses) |
Box 36: 58 | ||||||||||||||
Genius Listing Names of Famous Artists |
Box 36: 59 | ||||||||||||||
Christ in the Clouds Protecting Brittania |
Box 36: 60 | ||||||||||||||
America Receiving from Brittania the Fasces |
Box 36: 61 | ||||||||||||||
The Three Arts |
Box 36: 62 | ||||||||||||||
Thalia |
Box 36: 63 | ||||||||||||||
Sensibility |
Box 36: 64 | ||||||||||||||
Angel and Three Children |
Box 36: 65 | ||||||||||||||
Homer, Virgil, and Milton |
Box 36: 66 | ||||||||||||||
Friendship |
Box 36: 67 | ||||||||||||||
Faith (as a Lady Reading) |
Box 36: 68 | ||||||||||||||
Devotion |
Box 36: 69 | ||||||||||||||
An Allegory of the Arts |
Box 36: 70 | ||||||||||||||
Angel with a Scroll Appearing to Brittania |
Box 36: 71 | ||||||||||||||
Brittania as Protector of the Arts |
Box 36: 72 | ||||||||||||||
Genre | |||||||||||||||
Winter Scenes with Skaters |
Box 37: 1 | ||||||||||||||
The Newborn |
Box 37: 2 | ||||||||||||||
An Indian Cacique of the Island of Cuba, Addressing Columbus... |
Box 37: 3 | ||||||||||||||
The Indians Giving a Talk to Colonel Bouquet... |
Box 37: 4 | ||||||||||||||
The Indians Delivering Up the English Captives to Colonel Bouquet... |
Box 37: 5 | ||||||||||||||
Characters in the Streets of London |
Box 37: 6 | ||||||||||||||
The American |
Box 37: 7 | ||||||||||||||
The Fruit Vendor or Man Selling Fruit from Donkey... |
Box 37: 8 | ||||||||||||||
French Peasantry |
Box 37: 9 | ||||||||||||||
The Magistrates Room, the Guild Hall |
Box 37: 10 | ||||||||||||||
Mother and Her Child on Her Lap |
Box 37: 11 | ||||||||||||||
Mother and Children |
Box 37: 12 | ||||||||||||||
A Mother and Two Children |
Box 37: 13 | ||||||||||||||
A Mother and Three Children |
Box 37: 14 | ||||||||||||||
Domestic Scene |
Box 37: 15 | ||||||||||||||
Woman and Two Children |
Box 37: 16 | ||||||||||||||
Woman and Child |
Box 37: 17 | ||||||||||||||
Woman with Child on Her Back |
Box 37: 18 | ||||||||||||||
Women and Children at Home |
Box 37: 19 | ||||||||||||||
A Child |
Box 37: 20 | ||||||||||||||
A Child |
Box 37: 21 | ||||||||||||||
Young Girl Seated With a Child in Her Lap |
Box 37: 22 | ||||||||||||||
Child and Basket of Fruit |
Box 37: 23 | ||||||||||||||
Child and Rabbit |
Box 37: 24 | ||||||||||||||
Girls Shelling Peas [See Portraits: The Northwick Sisters] | Folder | ||||||||||||||
Girl Skating |
Box 37: 25 | ||||||||||||||
Girl Sitting Under a Tree |
Box 37: 26 | ||||||||||||||
Seated Child |
Box 37: 27 | ||||||||||||||
Little Girls Sewing |
Box 37: 28 | ||||||||||||||
Two Girls Reading |
Box 37: 29 | ||||||||||||||
Head of a Child |
Box 37: 30 | ||||||||||||||
Head of a Boy with Hat (in three-quarter profile) |
Box 37: 31 | ||||||||||||||
Old Woman Threading a Needle |
Box 37: 32 | ||||||||||||||
Man and Woman in Conversation |
Box 37: 33 | ||||||||||||||
Woman Reading |
Box 37: 34 | ||||||||||||||
Three Figures |
Box 37: 35 | ||||||||||||||
Man Carrying Things |
Box 37: 36 | ||||||||||||||
Two Men Leaning over a Railing |
Box 37: 37 | ||||||||||||||
Male Figure Bending Forward on One Knee |
Box 37: 38 | ||||||||||||||
A Head - Study from Nature |
Box 37: 39 | ||||||||||||||
Head of a Man (drawing) |
Box 37: 40 | ||||||||||||||
Study of a Highlander |
Box 37: 41 | ||||||||||||||
Fat Man Asleep (Seated) |
Box 37: 42 | ||||||||||||||
Figures Looking Out to Sea |
Box 37: 43 | ||||||||||||||
A Group of People Finds a Man with Crutches Lying on the Ground |
Box 37: 44 | ||||||||||||||
Man with Drum and Boys |
Box 37: 45 | ||||||||||||||
Man Wearing Cloak and Hat |
Box 37: 46 | ||||||||||||||
Page Boy Asleep |
Box 37: 47 | ||||||||||||||
Rider on Horseback in a Landscape |
Box 37: 48 | ||||||||||||||
Prostrate Figure of a Woman, Half-length |
Box 37: 49 | ||||||||||||||
A Male Nude, Study from Life |
Box 37: 50 | ||||||||||||||
Seated Male Nude |
Box 37: 51 | ||||||||||||||
Striding Man Nude, Arms Outstretched Sideways |
Box 37: 52 | ||||||||||||||
Head of a Demon |
Box 37: 53 | ||||||||||||||
Man in Uniform (Unidentified) |
Box 37: 54 | ||||||||||||||
Head of an Old Man |
Box 37: 55 | ||||||||||||||
Man in High Hat Raising Arm |
Box 37: 56 | ||||||||||||||
Sailor on the Foreshore |
Box 37: 57 | ||||||||||||||
Cattle |
Box 37: 58 | ||||||||||||||
Various titles |
Box 37: 59 | ||||||||||||||
Chair with Drapery |
Box 37: 60 | ||||||||||||||
Reclining Nude Male Figure |
Box 37: 61 | ||||||||||||||
Landscapes | |||||||||||||||
Unidentified Scene |
Box 37: 62 | ||||||||||||||
small oil sketch |
Box 37: 63 | ||||||||||||||
Figures by a Pond |
Box 37: 64 | ||||||||||||||
The Playing Fields of Eton, as Seen from Windsor Terrace |
Box 37: 65 | ||||||||||||||
View of Venice |
Box 37: 66 | ||||||||||||||
Various titles |
Box 37: 67 | ||||||||||||||
Thames Views |
Box 37: 68 | ||||||||||||||
Landscape with Sabin |
Box 37: 69 | ||||||||||||||
Dawn on Headwaters of Schuylkill River, Pennsylvania |
Box 37: 70 | ||||||||||||||
Various unidentified landscapes |
Box 37: 71 | ||||||||||||||
Herne's Oak, in Windsor Little Park |
Box 37: 72 | ||||||||||||||
Two Trees |
Box 37: 73 | ||||||||||||||
Landscape with Horses |
Box 37: 74 | ||||||||||||||
Landscape with Mill |
Box 37: 75 | ||||||||||||||
The Ferry at Datchet - near Windsor |
Box 37: 76 | ||||||||||||||
Distant View of Windsor Castle |
Box 37: 77 | ||||||||||||||
View of the Round Tower and Part of Windsor Castle |
Box 37: 78 | ||||||||||||||
Landscape |
Box 37: 79 | ||||||||||||||
Richmond Bridge near Kew |
Box 37: 80 | ||||||||||||||
Man in Front of Bridge on Mat |
Box 37: 81 | ||||||||||||||
Waterfall |
Box 37: 82 | ||||||||||||||
Waterfall and Figures |
Box 37: 83 | ||||||||||||||
Trees |
Box 37: 84 | ||||||||||||||
View of Housetops, Trees and a Church from an Upper Window in Rome |
Box 37: 85 | ||||||||||||||
Interior of Guild Hall [See Genre] | |||||||||||||||
Unidentified |
Box 37: 86 | ||||||||||||||
Herne's Oak Tree in Windsor Park |
Box 37: 87 | ||||||||||||||
Palemon and Lavinia |
Box 37: 88 | ||||||||||||||
Rocky Landscape with Figures; Windsor Castle |
Box 37: 89 | ||||||||||||||
Copies by West of Other Artists | |||||||||||||||
St. Agnes |
Box 38: 1 | ||||||||||||||
Holy Family |
Box 38: 2 | ||||||||||||||
Angel Releasing St. Peter from Prison |
Box 38: 3 | ||||||||||||||
Head of Christ after Guido Reni |
Box 38: 4 | ||||||||||||||
St. Peter and Paul after Guido Reni |
Box 38: 5 | ||||||||||||||
St. Michael after Guido Reni |
Box 38: 6 | ||||||||||||||
Self Portrait by Rubens |
Box 38: 7 | ||||||||||||||
Vendramin Family after Titian |
Box 38: 8 | ||||||||||||||
Part of the Relief from Ara Pacis |
Box 38: 9 | ||||||||||||||
Moroni, The Schoolmaster |
Box 38: 10 | ||||||||||||||
Hercules and Cacus |
Box 38: 11 | ||||||||||||||
Copies of Old Master Paintings | |||||||||||||||
1 of 3 |
Box 38: 12 | ||||||||||||||
2 of 3 |
Box 38: 13 | ||||||||||||||
3 of 3 |
Box 38: 14 | ||||||||||||||
Miscellaneous Subjects | |||||||||||||||
Works Signed and Dated, Now Unlocated |
Box 38: 15 | ||||||||||||||
Unidentified Death Scene |
Box 38: 16 | ||||||||||||||
Genre and Religious |
Box 38: 17 | ||||||||||||||
Genre and Landscape |
Box 38: 18 | ||||||||||||||
Genre, Landscape, and Classical Figures |
Box 38: 19 | ||||||||||||||
Figural Drawings, Portrait, and Genre Landscape |
Box 38: 20 | ||||||||||||||
Unidentified Figures/Groups of Figures |
Box 38: 21 | ||||||||||||||
Various Subjects by Title Only |
Box 38: 22 | ||||||||||||||
Portraits-West and Family | |||||||||||||||
Self Portrait [1 of 7] |
Box 38: 23 | ||||||||||||||
Self Portrait [2 of 7] |
Box 38: 24 | ||||||||||||||
Self Portrait [3 of 7] |
Box 38: 25 | ||||||||||||||
Self Portrait [4 of 7] |
Box 38: 26 | ||||||||||||||
Self Portrait [5 of 7] |
Box 38: 27 | ||||||||||||||
Self Portrait [6 of 7] |
Box 38: 28 | ||||||||||||||
Self Portrait [7 of 7] |
Box 38: 29 | ||||||||||||||
Mrs. West |
Box 38: 30 | ||||||||||||||
Mrs. West |
Box 38: 31 | ||||||||||||||
Mrs. West and Child |
Box 38: 32 | ||||||||||||||
Mrs. West and Raphael |
Box 38: 33 | ||||||||||||||
Mrs. West and Raphael |
Box 38: 34 | ||||||||||||||
Sketch of West's Two Sons When Boys |
Box 38: 35 | ||||||||||||||
Portraits-Royal Family | |||||||||||||||
George III [1 of 8] |
Box 38: 36 | ||||||||||||||
George III [2 of 8] |
Box 38: 37 | ||||||||||||||
George III [3 of 8] |
Box 38: 38 | ||||||||||||||
George III [4 of 8] |
Box 38: 39 | ||||||||||||||
George III [5 of 8] |
Box 38: 40 | ||||||||||||||
George III [6 of 8] |
Box 38: 41 | ||||||||||||||
George III [7 of 8] |
Box 38: 42 | ||||||||||||||
George III [8 of 8] |
Box 38: 43 | ||||||||||||||
Edward and Augustus |
Box 38: 44 | ||||||||||||||
Duke of York |
Box 38: 45 | ||||||||||||||
Duke of York |
Box 38: 46 | ||||||||||||||
Portraits-General Alphabetically | |||||||||||||||
Abbott and Abeel |
Box 38: 47 | ||||||||||||||
William Allen |
Box 38: 48 | ||||||||||||||
Samuel Arnold |
Box 38: 49 | ||||||||||||||
Thomas Astle |
Box 38: 50 | ||||||||||||||
Henry Atherton |
Box 38: 51 | ||||||||||||||
Sir Edmund Bacon |
Box 38: 52 | ||||||||||||||
Peter Bard |
Box 38: 53 | ||||||||||||||
Isaac Barre |
Box 38: 54 | ||||||||||||||
William Beckford |
Box 38: 55 | ||||||||||||||
General Simon Bernard |
Box 38: 56 | ||||||||||||||
Henry Bouquet |
Box 38: 57 | ||||||||||||||
General Burgoyne |
Box 38: 58 | ||||||||||||||
Dr. Bragge |
Box 38: 59 | ||||||||||||||
Joseph Brant |
Box 38: 60 | ||||||||||||||
The Benevolent Cardinal |
Box 38: 61 | ||||||||||||||
Mrs. Samuel Breese (Elizabeth Anderson) |
Box 38: 62 | ||||||||||||||
Alexander Broughton |
Box 38: 63 | ||||||||||||||
Jocosa Drury (Lady Brownlow) |
Box 38: 64 | ||||||||||||||
Bickley (?) |
Box 38: 65 | ||||||||||||||
The Dwarf of William Beckford |
Box 39: 1 | ||||||||||||||
Thomas Bradley |
Box 39: 2 | ||||||||||||||
Prince Ferdinand, Duke of Brunswick |
Box 39: 3 | ||||||||||||||
Lady Burke |
Box 39: 4 | ||||||||||||||
C. Button |
Box 39: 5 | ||||||||||||||
Mrs. George H. Calvert |
Box 39: 6 | ||||||||||||||
Col. Archibald Cary |
Box 39: 7 | ||||||||||||||
Henry Clay |
Box 39: 8 | ||||||||||||||
Lady Clive |
Box 39: 9 | ||||||||||||||
Samuel Allen Cook |
Box 39: 10 | ||||||||||||||
Lady Cook and Her Infant Daughter |
Box 39: 11 | ||||||||||||||
Susanna Copley |
Box 39: 12 | ||||||||||||||
John Singleton Copley Jr. and His Wife Elizabeth Clarke Copley |
Box 39: 13 | ||||||||||||||
Elizabeth Price Cox |
Box 39: 14 | ||||||||||||||
George Crabbe |
Box 39: 15 | ||||||||||||||
John Craig |
Box 39: 16 | ||||||||||||||
Garrit Van Horn Dewitt |
Box 39: 17 | ||||||||||||||
Mrs. Digby |
Box 39: 18 | ||||||||||||||
David James Dove |
Box 39: 19 | ||||||||||||||
George Earnest |
Box 39: 20 | ||||||||||||||
King Edward III |
Box 39: 21 | ||||||||||||||
Mrs. Andrea Elliott and Daughter |
Box 39: 22 | ||||||||||||||
Matthew Evans |
Box 39: 23 | ||||||||||||||
Charlotte, Countess of Faucanberg |
Box 39: 24 | ||||||||||||||
Anna Dorothea Finney |
Box 39: 25 | ||||||||||||||
Charles James Fox |
Box 39: 26 | ||||||||||||||
Benjamin Franklin |
Box 39: 27 | ||||||||||||||
Benjamin Franklin |
Box 39: 28 | ||||||||||||||
Benjamin Franklin |
Box 39: 29 | ||||||||||||||
Robert Fulton, Sr. and Mary Smith Fulton |
Box 39: 30 | ||||||||||||||
Osgood Gee |
Box 39: 31 | ||||||||||||||
Unidentified Sitter by Gillies |
Box 39: 32 | ||||||||||||||
Oliver Goldsmith |
Box 39: 33 | ||||||||||||||
J. Cheale Green |
Box 39: 34 | ||||||||||||||
Madame Guiccioli |
Box 39: 35 | ||||||||||||||
Jeremiah Halkins |
Box 39: 36 | ||||||||||||||
John Black Harris |
Box 39: 37 | ||||||||||||||
Judge and Mrs. Haywood |
Box 39: 38 | ||||||||||||||
William Henry, Duke of Gloucester |
Box 39: 39 | ||||||||||||||
George Henry |
Box 39: 40 | ||||||||||||||
Mary Hopkinson |
Box 39: 41 | ||||||||||||||
William, Viscount Howe |
Box 39: 42 | ||||||||||||||
Selina, Countess of Huntingdon |
Box 39: 43 | ||||||||||||||
Captain Grant |
Box 39: 44 | ||||||||||||||
Ann Grundy |
Box 39: 45 | ||||||||||||||
Miss Iremonger |
Box 39: 46 | ||||||||||||||
Ralph Izard |
Box 39: 47 | ||||||||||||||
Alexander Bryan Johnson |
Box 39: 48 | ||||||||||||||
Samuel Johnson |
Box 39: 49 | ||||||||||||||
Isaac Jones |
Box 39: 50 | ||||||||||||||
John Paul Jones |
Box 39: 51 | ||||||||||||||
Angelica Kauffman |
Box 39: 52 | ||||||||||||||
Mary Keen |
Box 39: 53 | ||||||||||||||
Mrs. Knowles |
Box 39: 54 | ||||||||||||||
Mary Cox Lawrence |
Box 39: 55 | ||||||||||||||
Benjamin Lay |
Box 39: 56 | ||||||||||||||
Edward Legge |
Box 39: 57 | ||||||||||||||
James Lloyd |
Box 39: 58 | ||||||||||||||
Richard Bennett Lloyd |
Box 39: 59 | ||||||||||||||
Captain Merry |
Box 39: 60 | ||||||||||||||
Thomas Middleton and Daughter |
Box 39: 61 | ||||||||||||||
Mrs. Monroe |
Box 39: 62 | ||||||||||||||
William Moore |
Box 39: 63 | ||||||||||||||
Hannah Moore |
Box 39: 64 | ||||||||||||||
Mr. Morgan |
Box 39: 65 | ||||||||||||||
Lt. Col. Roger Morris |
Box 39: 66 | ||||||||||||||
Pierre Cocas de Grailly See Dwarf of Beckford | |||||||||||||||
Arthur Annesley, Earl of Mountmorris |
Box 39: 67 | ||||||||||||||
Constantine John Phipps, Second Baron Mulgrave |
Box 39: 68 | ||||||||||||||
General James Murray |
Box 39: 69 | ||||||||||||||
Charles Newby |
Box 39: 70 | ||||||||||||||
North Middendorf |
Box 39: 71 | ||||||||||||||
John Page |
Box 39: 72 | ||||||||||||||
Thomas Paine |
Box 39: 73 | ||||||||||||||
Jonathan Peel |
Box 39: 74 | ||||||||||||||
Henry Peirse |
Box 39: 75 | ||||||||||||||
John Penn |
Box 39: 76 | ||||||||||||||
John Penn |
Box 40: 1 | ||||||||||||||
William Penn |
Box 40: 2 | ||||||||||||||
Mr. William Pettit |
Box 40: 3 | ||||||||||||||
Capt. Arthur Phillip |
Box 40: 4 | ||||||||||||||
Moses Phillips |
Box 40: 5 | ||||||||||||||
Jack Plowden |
Box 40: 6 | ||||||||||||||
William Rawle |
Box 40: 7 | ||||||||||||||
Thomas Reed |
Box 40: 8 | ||||||||||||||
Benjamin Rush |
Box 40: 9 | ||||||||||||||
Robert Rutherford |
Box 40: 10 | ||||||||||||||
Shakespeare |
Box 40: 11 | ||||||||||||||
Col. Joseph Shippen |
Box 40: 12 | ||||||||||||||
Mrs. Shippen |
Box 40: 13 | ||||||||||||||
Lady Henrietta Cavendish Bentnick, Countess of Stamford |
Box 40: 14 | ||||||||||||||
Gilbert Stuart |
Box 40: 15 | ||||||||||||||
Sir Robert Stuart |
Box 40: 16 | ||||||||||||||
Silas Talbot |
Box 40: 17 | ||||||||||||||
Master Tatton |
Box 40: 18 | ||||||||||||||
William Turner |
Box 40: 19 | ||||||||||||||
Geoffrey and Sara Twell |
Box 40: 20 | ||||||||||||||
Lucy Fortescue (Lyttleton), Viscountess Valentia |
Box 40: 21 | ||||||||||||||
Peter Van Pelt |
Box 40: 22 | ||||||||||||||
General Vaughn |
Box 40: 23 | ||||||||||||||
Vincent |
Box 40: 24 | ||||||||||||||
Benjamin Vulliamy |
Box 40: 25 | ||||||||||||||
George Washington (miniature) |
Box 40: 26 | ||||||||||||||
John Wesley |
Box 40: 27 | ||||||||||||||
George W. West |
Box 40: 28 | ||||||||||||||
Caleb Whiteford |
Box 40: 29 | ||||||||||||||
John Wikoff |
Box 40: 30 | ||||||||||||||
Susan Montgomery Wilday and Child |
Box 40: 31 | ||||||||||||||
Nathaniel S. Wise |
Box 40: 32 | ||||||||||||||
William Wiseman |
Box 40: 33 | ||||||||||||||
Richard Woodward, Bishop of Coyne |
Box 40: 34 | ||||||||||||||
Cardinal Francisco Ximenez de Cisneros |
Box 40: 35 | ||||||||||||||
Sarah Elizabeth Young |
Box 40: 36 | ||||||||||||||
Various Portraits |
Box 40: 37 | ||||||||||||||
Unidentified Portraits | |||||||||||||||
1 of 7 |
Box 40: 38 | ||||||||||||||
2 of 7 |
Box 40: 39 | ||||||||||||||
3 of 7 |
Box 40: 40 | ||||||||||||||
4 of 7 |
Box 40: 41 | ||||||||||||||
5 of 7 |
Box 40: 42 | ||||||||||||||
6 of 7 |
Box 40: 43 | ||||||||||||||
7 of 7 |
Box 40: 44 |
Series 8: Questionable Attributions | |||||||||||||||
Various Subjects (including some portraits) | |||||||||||||||
Rejects reviewed in 2000 |
Box 41: 1 | ||||||||||||||
Rejects reviewed in 1999 |
Box 41: 2 | ||||||||||||||
Rejects reviewed in 1998 |
Box 41: 3 | ||||||||||||||
Rejects reviewed in 1997 |
Box 41: 4 | ||||||||||||||
Portraits | |||||||||||||||
Staley Correspondence | 1960-87, n.d. - |
Box 41: 5 | |||||||||||||
Von Erffa Correspondence | 1952-71, n.d. |
Box 41: 6
Box 41: 7 | |||||||||||||
Questionable Attributions | |||||||||||||||
1961-1978 | |||||||||||||||
1978-1983 |
Box 41: 8 | ||||||||||||||
1983-1989 |
Box 41: 9 | ||||||||||||||
1989-1992 |
Box 41: 10 | ||||||||||||||
1992-1996, n.d. |
Box 42: 1 |
Series 9: Introduction to the Catalogue | |||||||||||||||
Provenance | |||||||||||||||
West's 1797 account for George III |
Box 42: 2 | ||||||||||||||
West's 1801 Appendix reprinted in Galt's 1820 study |
Box 42: 3
Box 42: 4 | ||||||||||||||
1809 Proposed list of works to sell to PAFA | |||||||||||||||
1826 Proposed lists of works to sell to the US govt. (by West's sons) |
Box 42: 5 | ||||||||||||||
West estate sale by Geo. Robins | 1829, May 22-25, |
Box 42: 6 | |||||||||||||
additional sale by Geo. Robins | 1829, June 20-22, |
Box 42: 7 | |||||||||||||
Exhibitions | |||||||||||||||
18th and 19th century exhibits |
Box 42: 8 | ||||||||||||||
20th century exhibits |
Box 42: 9 | ||||||||||||||
Listed | |||||||||||||||
Public Characters, Universal Mag., Barlow, La Belle Assemblee |
Box 42: 10 | ||||||||||||||
Galt |
Box 42: 11 | ||||||||||||||
Academic Annals |
Box 42: 12 | ||||||||||||||
Misc. notes |
Box 42: 13 | ||||||||||||||
Literature | |||||||||||||||
Farington Diary - index and related passages |
Box 42: 14 | ||||||||||||||
Farington Diary - Venetian Secret of Colouring |
Box 42: 15 |
Series 10: Other Catalogue Topics | |||||||||||||||
Contemporary reviews of West's Royal Academy discourses |
Box 42: 16 | ||||||||||||||
West Family Descendants - Margary and Howard collections | |||||||||||||||
Drawings and Sotheby catalogue of 3/22/79 |
Box 42: 17 | ||||||||||||||
West Family Descendants | |||||||||||||||
Notes and correspondence. Material restricted until January 1, 2025. |
Box 42: 18 | ||||||||||||||
Catalogue chapters I-VI | |||||||||||||||
Miscellaneous notes |
Box 43: 1 | ||||||||||||||
Bibliography |
Box 43: 2 | ||||||||||||||
Reproduction Authorizations and requests for catalogue copies |
Box 43: 3 |
Series 11: Other Working Notes and Documents re: Catalogue | |||||||||||||||
Published material about B. West | |||||||||||||||
Early biographies and DNB entry |
Box 43: 4 | ||||||||||||||
References to West in early memoirs, diaries |
Box 43: 5 | ||||||||||||||
20th century articles about B. West |
Box 43: 6 | ||||||||||||||
Notes to 20th century articles re: specific West works |
Box 43: 7 | ||||||||||||||
Manuscript collections (annotated w/ call nos.) by repository; and notebook re: Anderdon catalogues |
Box 43: 8 | ||||||||||||||
Reviews and General Notices of Royal Academy Exhibitions |
Box 43: 9 | ||||||||||||||
"Cuttings from English Newspapers on Matters of Artistic Interest, 1680-1835" (V&A Library) |
Box 43: 10 | ||||||||||||||
"Benjamin West's Death of General Wolfe and the Popular History Piece," by Charles Mitchell |
Box 43: 11 | ||||||||||||||
"The Dawn of British Romantic Painting, 1760-1780," by Robert Rosenblum |
Box 43: 12 | ||||||||||||||
"The British Contribution to the Neo-Classical Style in Painting," by E. Waterhouse |
Box 43: 13 | ||||||||||||||
"The Revolution of History Painting," by Edgar Wind |
Box 43: 14 | ||||||||||||||
Provenance References, w/Catalogue Entry Nos. | |||||||||||||||
Public Collections: Britain |
Box 44: 1 | ||||||||||||||
Provenance References, keyed to catalogue entry nos. | |||||||||||||||
"The Cricketers." Material restricted until January 1, 2025. |
Box 44: 2 | ||||||||||||||
Provenance References, w/Catalogue Entry Nos. | |||||||||||||||
Private collections: US and Britain (A to F). Material restricted until January 1, 2025. |
Box 44: 3 | ||||||||||||||
Private collections: US and Britain (G to Y). Material restricted until January 1, 2025. |
Box 44: 4 | ||||||||||||||
Public collections: US, PR and Canada (Amherst to New York) |
Box 44: 5 | ||||||||||||||
Public collections: US, PR and Canada (Newark to Worcester) |
Box 44: 6 | ||||||||||||||
Public collections: other than US and Britain (alpha. by country) |
Box 44: 7 | ||||||||||||||
Dealers/auction houses |
Box 44: 8 | ||||||||||||||
Provenance References, not keyed to catalogue | |||||||||||||||
Grosvenor/Westminster |
Box 44: 9 | ||||||||||||||
Beckford/Fonthill (corresp. and notes) |
Box 44: 10 | ||||||||||||||
Beckford/Fonthill (prints of B. West ltrs.; galley proof of Beckford article) |
Box 44: 11 | ||||||||||||||
Bob Jones Univ. (Neeld Collection) |
Box 45: 1 | ||||||||||||||
Margary Collection - Revelation scenes only |
Box 45: 2 | ||||||||||||||
Other patrons/ collectors |
Box 45: 3 | ||||||||||||||
Various US and British Museum catalogue listings |
Box 45: 4 | ||||||||||||||
West's Picture Gallery (images of) | 1820 |
Box 45: 5 | |||||||||||||
Swarthmore Drawings Collection w/ 1993 catalogue |
Box 45: 6 | ||||||||||||||
Royal Collection: various subjects and portrait inventory |
Box 45: 7 | ||||||||||||||
Royal Collection: notes re: family members (portrait sitters) |
Box 45: 8 | ||||||||||||||
Royal Collection: St. George's Chapel, Windsor (window design and altarpiece) |
Box 45: 9 | ||||||||||||||
Royal Collection: 18th-20th c. Windsor Castle Guides |
Box 45: 10 | ||||||||||||||
18th and 19th c. general auction and gallery sales, including J. Wilson's European Museum |
Box 45: 11 | ||||||||||||||
19th c. West estate and collection sales |
Box 45: 12 | ||||||||||||||
20th c. general auction and gallery sales |
Box 45: 13 | ||||||||||||||
Compiled Listings of B. West Works | |||||||||||||||
Inventory of American Paintings (National Museum of American Art) |
Box 45: 14 | ||||||||||||||
Witt Library (Courtauld Inst. of Art, London) |
Box 45: 15 | ||||||||||||||
FARL (Frick Art Reference Library, NY) |
Box 45: 16 | ||||||||||||||
Mellon Collection (Yale Center for British Art) |
Box 45: 17 | ||||||||||||||
Research Assistant Notes re: Provenance | |||||||||||||||
Sales (catalogue listings) - Robins 1829 sale |
Box 45: 18 | ||||||||||||||
Sales (catalogue listings) - 1907-1973 auction and gallery sales |
Box 45: 19 | ||||||||||||||
Various British collections |
Box 45: 20 | ||||||||||||||
Omnia Vincet Amor |
Box 45: 21 | ||||||||||||||
Research Assistant Notes re: Bibliography | |||||||||||||||
British Museum Catalog (and call slips from other libraries) |
Box 45: 22 | ||||||||||||||
Research Assistant Notes re: Reproductions | |||||||||||||||
Spring 1978 revised photo list |
Box 45: 23 | ||||||||||||||
"Photo" notebook of West paintings by type of collection, auctions and dealers |
Box 45: 24 | ||||||||||||||
Research Assistant Notes re: Subjects | |||||||||||||||
Portraits -- American |
Box 45: 25 | ||||||||||||||
Prints/Engravings by West and by others after West |
Box 45: 26 | ||||||||||||||
Research Assistant Notes re: various issues | |||||||||||||||
Interoffice notes - To Do |
Box 46: 1 | ||||||||||||||
Interoffice notes - British research | 9/78 |
Box 46: 2 | |||||||||||||
Copy of Von Erffa manuscript (re: typescript pp. 183-297) w/ keyed bibliographic references |
Box 46: 3 |
Series 12: Other Working Notes and Documents re: West | |||||||||||||||
Works by West | |||||||||||||||
"Agrippina..." (Yale) - 1975 conservation report |
Box 46: 4
Box 46: 5 | ||||||||||||||
Portraits: identified and unidentified |
Box 46: 6 | ||||||||||||||
Portraits: unidentified (3) | |||||||||||||||
Drawings: unidentified (corresp. w/related photos) |
Box 46: 7 | ||||||||||||||
Drawings: unidentified (prints only) |
Box 46: 8 | ||||||||||||||
Drawings: various subjects (various institutions and Windsor) |
Box 46: 9 | ||||||||||||||
Drawings: various subjects (Pierpont Morgan Library) |
Box 46: 10 | ||||||||||||||
Prints: by West and "after West" |
Box 46: 11 | ||||||||||||||
Polygraphic reproductions |
Box 46: 12 | ||||||||||||||
Sketchbooks: Royal Academy |
Box 46: 13 | ||||||||||||||
Sketchbooks: Historical Society of Pennsylvania |
Box 46: 14 | ||||||||||||||
Sketchbooks: Mellon Collection (3) |
Box 47: 1 | ||||||||||||||
Gainsborough cup |
Box 47: 2 | ||||||||||||||
Artists Influenced by West | |||||||||||||||
Students, assistants and imitators |
Box 47: 3 | ||||||||||||||
Benjamin West, Jr. |
Box 47: 4 | ||||||||||||||
Raphael West |
Box 47: 5 | ||||||||||||||
Portraits of West by Other Artists | |||||||||||||||
False attributions as West self-portraits |
Box 47: 6 | ||||||||||||||
Washington Alston |
Box 47: 7 | ||||||||||||||
Wm. Beechey |
Box 47: 8 | ||||||||||||||
Wm. Behnes - bust of West |
Box 47: 9 | ||||||||||||||
Francis Chantrey - bust of West |
Box 47: 10 | ||||||||||||||
John Singleton Copley |
Box 47: 11 | ||||||||||||||
George Dance |
Box 47: 12 | ||||||||||||||
Abraham Delanoy, Jr. |
Box 47: 13 | ||||||||||||||
Pierre-Etienne Falconet |
Box 47: 14 | ||||||||||||||
James Green |
Box 47: 15 | ||||||||||||||
Charles Grigniou |
Box 47: 16 | ||||||||||||||
George Henry Harlow |
Box 47: 17 | ||||||||||||||
Angelica Kauffman |
Box 47: 18 | ||||||||||||||
Gaspard Lavater - engraving from L'Art de Connaitre |
Box 47: 19 | ||||||||||||||
Thomas Lawrence |
Box 47: 20 | ||||||||||||||
After Thos. Lawrence |
Box 47: 21 | ||||||||||||||
Wm. John Newton |
Box 47: 22 | ||||||||||||||
Joseph Nollekens - bust of West |
Box 47: 23 | ||||||||||||||
Rutchiel |
Box 47: 24 | ||||||||||||||
James Smith (West student) |
Box 47: 25 | ||||||||||||||
John Inigo Spilsbury (and after same) |
Box 47: 26 | ||||||||||||||
Gilbert Stuart |
Box 47: 27 | ||||||||||||||
George Stubbs |
Box .47: 28 | ||||||||||||||
E.M. Ward - "Benjamin West's First Effort in Art" |
Box 48: 1 | ||||||||||||||
George Watson or after same |
Box 48: 2 | ||||||||||||||
Wedgwood - porcelain cameo |
Box 48: 3 | ||||||||||||||
Various artists |
Box 48: 4 | ||||||||||||||
J.H. Farington - "The Fishing Party" (includes West) |
Box 48: 5 | ||||||||||||||
Varia | |||||||||||||||
West's 1811 Palette |
Box 48: 6 |
Series 13: Post-Catalogue Materials re: Possible Attributions | |||||||||||||||
Portraits | |||||||||||||||
Various |
Box 48: 7 | ||||||||||||||
Drawing | |||||||||||||||
"Know Thyself" |
Box 48: 8 | ||||||||||||||
Unidentified Subject | |||||||||||||||
Deathbed scene? |
Box 48: 9 |
Series 14: Post-Catalogue Revisions | |||||||||||||||
Folder 1 of 5 |
Box 48: 10 | ||||||||||||||
Folder 2 of 5 |
Box 48: 11 | ||||||||||||||
Folder 3 of 5 |
Box 48: 12 | ||||||||||||||
Folder 4 of 5 |
Box 48: 13 | ||||||||||||||
Folder 5 of 5 |
Box 48: 14 |
Series 15: Annotated Published Material | |||||||||||||||
Allentown Art Museum | |||||||||||||||
The World of Benjamin West. Allentown: Allentown Art Museum | 1962 | Box 49 | |||||||||||||
Amherst College | |||||||||||||||
Benjamin West: His Times and His Influence. Amherst: Amherst College | 1950 | Box 49 | |||||||||||||
Bloch, E. Maurice | |||||||||||||||
A Benjamin West Portfolio, Drawings and Studies. N.Y.: Bernard Black Gallery | 1968 | Box 49 | |||||||||||||
Brinton, Ellen Starr | |||||||||||||||
"Benjamin West's Painting of Penn's Treaty with the Indians," Bulletin of Friends' Historical Association, 30, no.2 pp. 99-189. | (Autumn 1941) | Box 49 | |||||||||||||
Brooklyn Museum | |||||||||||||||
Exhibition of Paintings and Drawings by Benjamin West and of Engravings Representing His Work. Brooklyn: Brooklyn Museum | 1922 | Box 49 | |||||||||||||
Brooks, Alfred Mansfield | |||||||||||||||
"Drawings by Benjamin West," The Art Bulletin, 8, no.1 pp. 25-32 | (September 1925) | Box 49 | |||||||||||||
Christie's New York | |||||||||||||||
Old Master, Nineteenth-Century European and American Works on Paper and Paintings from the Estate of E. Maurice Bloch, Part II. New York: Christie's New York | 1991 | Box 49 | |||||||||||||
Dillenberger, John | |||||||||||||||
Benjamin West: The Context of His Life's Work with Particular Attention to Paintings with Religious Subject Matter. San Antonio: Trinity University Press | 1977 | Box 49 | |||||||||||||
Evans, Gross | |||||||||||||||
Benjamin West and the Taste of His Times. Carbondale: Southern Illinois University Press | 1959 | Box 49 | |||||||||||||
Flexner, James Thomas. | |||||||||||||||
"Benjamin West's American Neo-Classicism," The New-York Historical Society Quarterly, XXXVI, no.1 pp. 5-41 | (January 1952) | Box 49 | |||||||||||||
Galt, John | |||||||||||||||
The Life of Benjamin West. Gainesville: Scholars, Facsimiles, and Reprints | 1960 | Box 50 | |||||||||||||
Gardner, Albert Ten Eyck | |||||||||||||||
"West's Legacy," Metropolitan Museum of Art Bulletin pp. 225-236 | (March 1966) | Box 50 | |||||||||||||
Gidley, M. | |||||||||||||||
A Catalogue of American Paintings in British Public Collections. Exeter, U.K.: University of Exeter | 1974 | Box 50 | |||||||||||||
Hamilton-Phillips, Martha. | |||||||||||||||
"Benjamin West and William Beckford: Some Projects for Fonthill," Metropolitan Museum of Art Journal 15 pp. 157-174 | (1981) | Box 50 | |||||||||||||
Jones, Beneth A. | |||||||||||||||
Supplement to the Catalogue of the Art Collection: Paintings Acquired 1963-1968. Greenville: Bob Jones University | 1968 | Box 50 | |||||||||||||
Jones, Bob, Jr. | |||||||||||||||
Revealed Religion: A Series of Paintings by Benjamin West in the War Memorial Chapel. Greenville: Bob Jones University. | 1963 | Box 50 | |||||||||||||
Kraemer, Ruth S | |||||||||||||||
Drawings by Benjamin West and His Son Raphael Lamar West. New York: The Pierpont Morgan Library | 1975 | Box 50 | |||||||||||||
Leger Galleries Ltd. | |||||||||||||||
Exhibition of English Watercolours. London: Leger Galleries Ltd. | 1976 | Box 50 | |||||||||||||
Marks, Arthur S. | |||||||||||||||
"Angelica Kauffmann and Some Americans on the Grand Tour," The American Art Journal, XII, no. 2 pp. 5-24 | (Spring 1980) | Box 50 | |||||||||||||
Morgan, Charles H. and Margaret C. Toole | |||||||||||||||
"Benjamin West: His Times and His Influence," Art in America, 38, no. 4 pp. 205-278. | (December 1950) | Box 50 | |||||||||||||
Pennsylvania Academy of the Fine Arts and Dickinson College | |||||||||||||||
Symbols of Peace: William Penn's Treaty with the Indians. Philadelphia: Pennsylvania Academy of the Fine Arts | 1976 | Box 50 | |||||||||||||
Pennsylvania Museum of Art | |||||||||||||||
Benjamin West, 1738-1820. Philadelphia: Pennsylvania Museum of Art | 1938 | Box 50 | |||||||||||||
Sawitzky, William | |||||||||||||||
"The American Work of Benjamin West," Pennsylvania Magazine of History and Biography, LXII, no.4 pp. 433-462. | (October 1938) | Box 50 | |||||||||||||
Staley, Allen | |||||||||||||||
Benjamin West: American Painter at the English Court. Baltimore: Baltimore Museum of Art | 1989 | Box 50 | |||||||||||||
Benjamin West in Pennsylvania Collections. Philadelphia: Philadelphia Museum of Art | 1986 | Box 50 | |||||||||||||
"West's `Death on a Pale Horse,"' Bulletin of the Detroit Institute of Arts, 58, no.3 pp. 137-150 | (1980) | Box 50 | |||||||||||||
Weintraub, Stanley and Randy Ploog | |||||||||||||||
Benjamin West Drawings from the Historical Society of Pennsylvania. University Park: Penn State Museum of Art | 1987 | Box 50 |
Oversize Material | |||||||||||||||
von Erffa, Helmut and Allen Staley | |||||||||||||||
The Paintings of Benjamin West. A Barra Foundation Book. New Haven: Yale University Press | 1986 | Box 51 | |||||||||||||
Series 2: Von Erffa's Other Research Materials -- Reproductions | |||||||||||||||
Oversized images and negatives | Box 51 |