Nicholas B. Wainwright Papers, 1968-1990 (5 Boxes, 1.5 lin. feet) Collection 3001
©
The Historical Society of Pennsylvania
1300 Locust Street * Philadelphia, PA 19107 |
Table of contents
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Abstract
This collection consists of notes, typescripts and reprints to three distinct research projects undertaken by Nicholas B. Wainwright between 1968 and 1976. Each project has been processed as a separate series in the collection. The working titles of the projects processed as Series 1 and Series 2, respectively, are "Landscape and Genre Painting of Nineteenth Century Philadelphia" and "Collections of The Historical Society of Pennsylvania: 1824-1974." The latter was published in 1974. Series 3 is an untitled project regarding the artist Rembrandt Peale. All three are works-in-progress and each is in a different stage of completion, from the early stages of gathering primary research to an edited typescript. The collection reflects Wainwright's deep interest and commitment to the art of early Philadelphia and to the preservation of its history through the efforts of The Historical Society of Pennsylvania. |
Series I | Landscape and Genre Painting of Nineteenth Century Philadelphia, 1968-1990 | 3 boxes |
a. Historic images | ||
b. City sights | ||
c. Delaware river | ||
d. Waterworks and Schuylkill | ||
e. Wissahickon and Germantown | ||
f. Sporting scenes | ||
g. Country houses | ||
h. Genre | ||
i. Painting worksheets | ||
Series II | "Collections of The Historical Society of Pennsylvania: 1824-1974", 1974 | 2 folders |
Series III | A Study of Rembrandt Peale, n.d. | 1 box |
a. Research notes | ||
b. Reproductions |
1968-1990 | Box (Boxes 1-3) | ||||||||||||||
This material appears to be Wainwright's working papers for a biocentennial study of Philadelphia and its vicinity as depicted in ninettenth century paintings. The inclusion of a title page and table of content implies that Wainwright intended this work to be published by HSP. It is also possible that this study was a continuation of an earlier one since another title page inserted behind some miscellaneous papers is dated 1968. A variety of subjects are represented, including historic images, genre, sporting scenes, city sights, landscapes and river views. The bulk of the collection consists of 8" × 10" black and white reprints of the paintings. Each reproduction is accompanied by a page or less of text describing the image and general information about the painting such as title, artist, medium, size, date and location. The collection also includes an incomplete compilation of painting worksheets, listed alphabetically by artist.
The inclusion of a 1990 letter to an HSP curator regarding a painting of the Chain Bridge indicates that Wainwright's project was continued after his death.
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16 folders | |||||||||||||||
This subseries documents fifteen significant sites, events and individuals from Philadelphia's colonial and revolutionary periods. Images include Penn's Treaty with the Indians, the reading of the Declaration of Independence, and the reception for Lafayette. Artists include Edward Hicks and Benjamin West. As arranged in the opening pages of the original binder, this subseries also includes a draft index of the subject categories represented in the other binders, as well as a title page and list of artists. There is also a resume and a note from individuals other than Wainwright, implying his use of assistants. These papers have been processed in one folder as "related material."
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40 folders | |||||||||||||||
This subseries covers 40 buildings and street scenes in the city and surrounding areas from the late eighteenth to late nineteenth century. Included are Independence Hall, Chestnut Street Theater, Christ Church, and City Hall. Portraits of prominent individuals associated with these structures are also included, such as the architect William Strickland and Pennsylvania Hospital president Samuel Coates. Artists include Thomas Sully, John Neagle and John Sloan.
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19 folders | |||||||||||||||
Thomas Birch painted many of the 19 images in this series. Two paintings have no accompanying text.
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37 folders | |||||||||||||||
This subseries includes 15 paintings related to the Waterworks. The original Waterworks built on Centre Square is depicted here as well as a portrait of Frederick Graff, the engineer who designed the later Waterworks at Fairmount. A 1984 newsletter by the Society for Industrial Archeology about the restoration of the Fairmount Waterworks Complex is also included. There are 21 Schuylkill River scenes in this subseries as well as a color transparency and related 1990 correspondence (to David Cassidy, HSP) about the
early nineteenth century Chain Bridge. Artists include James Peale and Thomas Moran.
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22 folders | |||||||||||||||
The river and community are depicted in 22 images, including genre paintings of local activities and landscapes, featuring Cliveden and other local estates. Artists include Charles Wilson Peale and Russell Smith.
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27 folders | |||||||||||||||
This subseries includes 27 reprints depicting a variety of 19th century sporting activities, including horseracing, fox hunting, duck shooting, rowing, skating, boxing, and sledding. There is no descriptive text to Delattre's Dr. Dickinson Logan's Daughter with her Riding Master. Other artists represented here include Thomas Doughty and Thomas Eakins.
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31 folders | |||||||||||||||
Based on the title page in the original binder to this category, Wainwright originally referred to the 31 paintings reproduced as "rural views." Most of the images depict well-known estates, such as Lemon Hill and The Woodlands as well as other institutions such as the Montgomery County Almshouse and St. Peter's Episcopal Church in Glenside. Artists include Russell Smith and John A. Woodside.
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37 folders | |||||||||||||||
This subseries consists of 37 reproductions representing a variety of activities, including a country wedding, street scenes, interior scenes, and Charles Wilson Peale's Museum. Artists include John Sartain and Thomas Hovenden.
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3 folders | |||||||||||||||
This subseries includes "worksheets" of approximately 150 paintings that depict various Philadelphia-area views. As noted above, the sheets are arranged alphabetically by artist, but represent only a partial inventory of all the paintings in this study since the subseries begins with "Inness." These worksheets also include paintings and artists not covered by Wainwright, such as George Inness. Perhaps these worksheets represent Wainwright's preliminary inventory of paintings. The information recorded on the worksheets includes artist, subject, size, date, medium, inscriptions, owner, whether HSP possesses a photograph and negative of the image and general remarks.
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1974 | Box (Box 4) | ||||||||||||||
These papers are the typescript to Wainwright's study, One Hundred and Fifty Years of Collecting by the Historical Society of Pennsylvania: 1824-1974. This volume was published by the Society in 1974.
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n.d. | Box (Box 5) | ||||||||||||||
This material appears to be Wainwright's working papers for a study of Rembrandt Peale, a noted Philadelphia artist of the early and mid-nineteenth century. As the son of Charles Wilson Peale, Rembrandt was a member of the city's most prominent family of artists. The amount of material is small and represents Wainwright's
earliest stages of research, consisting of photocopies of primary resource material and reprints of paintings. Unlike the other two studies in this collection, there is no title page to the Peale study to note the year(s) Wainwright may have compiled these papers or give any indication as to his thesis.
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5 folders | |||||||||||||||
Most of the papers are photocopies of a manuscript written by Rembrandt Peale entitled Notes of the Painting Room, The Experience of more than half a Century, along with a published introduction. Copies of this work are in the collections of The Historical Society of Pennsylvania (Harriet Sartain Collection and on film) and The American Philosophical Society. Photocopies of miscellaneous notes and correspondence relating to this manuscript are also included.
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42 folders | |||||||||||||||
The rest of the collection consists of 42 black and white reprints of paintings and one drawing by Peale. Each is numbered and identified by title and date. Medium, size and provenance information are also given for the first eight images, which are also identified as figures. Perhaps the remaining images, of which all but three are portraits, were to be reproduced as plates in the final, published form. They are separately numbered and arranged in chronological order. Some paintings that are related in subject matter have the same "plate" number, implying Wainwright had not made a final decision on the selected images. That Wainwright does not give the sitter's full name in several of the portrait labels also attests to the study's very preliminary stage.
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Series 1. Landscape and Genre Painting of 19th Century Philadelphia | |||||||||||||||
a. Historic Images | |||||||||||||||
Introductory Pages and Related Papers |
Box 1: 1 | ||||||||||||||
Penn's Treaty with the Indians |
Box 1: 2 | ||||||||||||||
Benjamin West, 1771 | |||||||||||||||
Penn's Treaty with the Indians |
Box 1: 3 | ||||||||||||||
Edward Hicks, 1830 | |||||||||||||||
The Landing of William Penn |
Box 1: 4 | ||||||||||||||
Thomas Birch, 1849 | |||||||||||||||
The South East Prospect of the City of Philadelphia |
Box 1: 5 | ||||||||||||||
Peter Cooper, 1720 | |||||||||||||||
Jacob Duché House |
Box 1: 6 | ||||||||||||||
Artist Unknown, 1770 | |||||||||||||||
Alms House and Pennsylvania Hospital |
Box 1: 7 | ||||||||||||||
Artist Unknown, 1767 | |||||||||||||||
Congress Voting Independence |
Box 1: 8 | ||||||||||||||
Robert Edge Pine and Edward Savage, 1784-1817 | |||||||||||||||
Reading the Declaration of Independence |
Box 1: 9 | ||||||||||||||
Peter F. Rothermel, c. 1864 | |||||||||||||||
Battle of the Chew House |
Box 1: 10 | ||||||||||||||
Edward Lamson Henry, c. 1880 | |||||||||||||||
Cliveden Interior During the Battle |
Box 1: 11 | ||||||||||||||
Edward Lamson Henry, 1880 | |||||||||||||||
The State House on the Day of the Battle of Germantown |
Box 1: 12 | ||||||||||||||
Peter F. Rothermel, 1869 | |||||||||||||||
Washington at Valley Forge |
Box 1: 13 | ||||||||||||||
Artist Unknown, 1850 | |||||||||||||||
Revolutionary Incident |
Box 1: 14 | ||||||||||||||
James Peale, 1795 | |||||||||||||||
Conrad Alexandre Gérard |
Box 1: 15 | ||||||||||||||
Charles Wilson Peale | |||||||||||||||
Reception for Lafayette at the Chew House |
Box 1: 16 | ||||||||||||||
Edward Lamson Henry, c. 1874 | |||||||||||||||
b. City Sights | |||||||||||||||
The John Dunlap House |
Box 1: 17 | ||||||||||||||
John James Barralet, 1807 | |||||||||||||||
Southeast View of the Pennsylvania Hospital |
Box 1: 18 | ||||||||||||||
Thomas Birch, 1814 | |||||||||||||||
South East View of the Pennsylvania Hospital |
Box 1: 19 | ||||||||||||||
John C. Exilius, 1814 | |||||||||||||||
Samuel Coates |
Box 1: 20 | ||||||||||||||
Thomas Sully, 1812 | |||||||||||||||
Treaty Tree |
Box 1: 21 | ||||||||||||||
Thomas Birch, 1800 | |||||||||||||||
Treaty Tree |
Box 1: 22 | ||||||||||||||
Xanthus Smith, 1866 | |||||||||||||||
Christ Church |
Box 1: 23 | ||||||||||||||
William Strickland, 1811 | |||||||||||||||
Bank of Pennsylvania |
Box 1: 24 | ||||||||||||||
Artist Unknown, 1804 | |||||||||||||||
Election Day at the State House |
Box 1: 25 | ||||||||||||||
John Lewis Krimmel, 1815 | |||||||||||||||
Fifteenth and Race Streets |
Box 1: 26 | ||||||||||||||
Artist Unknown, 1810 | |||||||||||||||
Chestnut Street Theatre |
Box 1: 27 | ||||||||||||||
Artist Unknown, 1822 | |||||||||||||||
Judd's Hotel |
Box 1: 28 | ||||||||||||||
Artist Unknown, 1820 | |||||||||||||||
The Naval Asylum, Gray's Ferry |
Box 1: 29 | ||||||||||||||
Thomas Doughty, 1828 | |||||||||||||||
Philadelphia Exchange |
Box 1: 30 | ||||||||||||||
Artist Unknown, 1835 | |||||||||||||||
William Strickland, Architect |
Box 1: 31 | ||||||||||||||
John Neagle, 1829 | |||||||||||||||
Walnut Street Prison |
Box 1: 32 | ||||||||||||||
Russell Smith, 1835 | |||||||||||||||
Pat Lyon at the Forge |
Box 1: 33 | ||||||||||||||
John Neagle, 1826-7 | |||||||||||||||
Moyamensing Prison |
Box 1: 34 | ||||||||||||||
Thomas U. Walter, 1842 | |||||||||||||||
John Haviland |
Box 1: 35 | ||||||||||||||
John Neagle, 1828 | |||||||||||||||
The Court House |
Box 1: 36 | ||||||||||||||
Russell Smith | |||||||||||||||
The Court House |
Box 1: 37 | ||||||||||||||
J.M. Kelley, 1895 | |||||||||||||||
Laurel Hill Cemetery |
Box 1: 38 | ||||||||||||||
Artist Unknown, 1845 | |||||||||||||||
731 Market Street |
Box 1: 39 | ||||||||||||||
W.H. Cooper | |||||||||||||||
The Independence Hall Group |
Box 1: 40 | ||||||||||||||
Ferdinand Reichardt, 1859 | |||||||||||||||
Winter Scene |
Box 1: 41 | ||||||||||||||
Charles F. G. Witman, 1835 | |||||||||||||||
Social Retreat |
Box 1: 42 | ||||||||||||||
Charles F. G. Witman, 1875 | |||||||||||||||
Bergner's Brewery |
Box 1: 43 | ||||||||||||||
Artist Unknown, 1863 | |||||||||||||||
Race and Thirteenth Streets |
Box 1: 44 | ||||||||||||||
George B. Wood, 1875 | |||||||||||||||
Election Night, 1864: Fifth and Chestnut Streets Looking North |
Box 1: 45 | ||||||||||||||
Bernard Uhle, 1864 | |||||||||||||||
Horse Auction at Fairmount Avenue and Twelfth Street |
Box 1: 46 | ||||||||||||||
Peter Moran, n.d. | |||||||||||||||
Arch Street Methodist Church |
Box 1: 47 | ||||||||||||||
Xanthus Smith, 1875 | |||||||||||||||
Independence Hall |
Box 1: 48 | ||||||||||||||
Edmund D. Lewis, 1884 | |||||||||||||||
Letitia Street House |
Box 1: 49 | ||||||||||||||
E. G. Chormann, 1880 | |||||||||||||||
Girard College |
Box 1: 50 | ||||||||||||||
Augustus Kollner, 1860 | |||||||||||||||
Friends Almshouse |
Box 1: 51 | ||||||||||||||
Artist Unknown, n.d. | |||||||||||||||
Brewhouse of Anthony Morris IV |
Box 1: 52 | ||||||||||||||
J. E. Murdoch, 1890 | |||||||||||||||
Union Volunteer Hospital |
Box 1: 53 | ||||||||||||||
Edward Moran, 1866 | |||||||||||||||
City Troop on Parade |
Box 1: 54 | ||||||||||||||
Charles Brinton Cox, 1888 | |||||||||||||||
Independence Square |
Box 1: 55 | ||||||||||||||
John Sloan, 1900 | |||||||||||||||
East Entrance, City Hall |
Box 1: 56 | ||||||||||||||
John Sloan, 1901 | |||||||||||||||
c. Delaware River | |||||||||||||||
Fishery on the Delaware Near Philadelphia |
Box 1: 57 | ||||||||||||||
Thomas Birch, n.d. (no text) | |||||||||||||||
View of the Delaware Near Philadelphia |
Box 1: 58 | ||||||||||||||
Thomas Birch, 1831 | |||||||||||||||
Philadelphia From Kensington |
Box 1: 59 | ||||||||||||||
Thomas Birch, 1830 | |||||||||||||||
Philadelphia Harbor |
Box 1: 60 | ||||||||||||||
Thomas Birch, 1840 | |||||||||||||||
Philadelphia Harbor |
Box 1: 61 | ||||||||||||||
Thomas Birch, n.d. | |||||||||||||||
Philadelphia Harbor |
Box 1: 62 | ||||||||||||||
Thomas Birch, 1835 | |||||||||||||||
Philadelphia Harbor |
Box 1: 63 | ||||||||||||||
Thomas Birch, 1850 | |||||||||||||||
Delaware River Scene |
Box 1: 64 | ||||||||||||||
Thomas Birch, 1840 | |||||||||||||||
Philadelphia Harbor |
Box 1: 65 | ||||||||||||||
Thomas Birch, 1839 | |||||||||||||||
View on the Delaware |
Box 1: 66 | ||||||||||||||
James Hamilton | |||||||||||||||
Barque Union of Philadelphia |
Box 1: 67 | ||||||||||||||
Artist Unknown, 1853 | |||||||||||||||
Philadelphia Harbor |
Box 1: 68 | ||||||||||||||
Thomas Birch, 1849 | |||||||||||||||
Delaware River at Tacony |
Box 1: 69 | ||||||||||||||
Thomas Anshutz, 1895 | |||||||||||||||
Philadelphia Seen from the Jersey Shore, Southwest View |
Box 1: 70 | ||||||||||||||
Artist Unknown, n.d. (no text) | |||||||||||||||
On the Delaware River |
Box 1: 71 | ||||||||||||||
James Hamilton, 1865 | |||||||||||||||
Fish Wharf at Philadelphia |
Box 1: 72 | ||||||||||||||
William, Carr, 1833 | |||||||||||||||
Shad Fishing on the Delaware |
Box 1: 73 | ||||||||||||||
Thomas Birch, 1840 | |||||||||||||||
Philadelphia Water Front |
Box 1: 74 | ||||||||||||||
A. Raehle, 1851 (Stoehle?) (1881?) | |||||||||||||||
Tugs |
Box 1: 75 | ||||||||||||||
John Sloan, 1900 | |||||||||||||||
d. Waterworks and Schuylkill | |||||||||||||||
Newsletter re: Waterworks |
Box 2: 1 | ||||||||||||||
Fourth of July in Centre Square |
Box 2: 2 | ||||||||||||||
John Lewis Krimmel, 1812 | |||||||||||||||
Centre Square Waterworks |
Box 2: 3 | ||||||||||||||
Artist Unknown, 1815 | |||||||||||||||
Frederick Graff |
Box 2: 4 | ||||||||||||||
James Peale, 1804 | |||||||||||||||
Monument to Frederick Graff at Fairmount |
Box 2: 5 | ||||||||||||||
Artist Unknown, 1848 | |||||||||||||||
Fairmount Waterworks |
Box 2: 6 | ||||||||||||||
Thomas Birch, 1822 | |||||||||||||||
Fairmount Waterworks |
Box 2: 7 | ||||||||||||||
Thomas Birch, 1824 | |||||||||||||||
Fairmount Waterworks |
Box 2: 8 | ||||||||||||||
James Peale, 1825 | |||||||||||||||
View of the Waterworks From Fairmount |
Box 2: 9 | ||||||||||||||
Thomas Doughty, 1826 | |||||||||||||||
Fairmount Waterworks From the Opposite Side of the Schuylkill |
Box 2: 10 | ||||||||||||||
Thomas Doughty, 1826 | |||||||||||||||
Fairmount Waterworks |
Box 2: 11 | ||||||||||||||
Artist Unknown, n.d. | |||||||||||||||
Fairmount from Lemon Hill |
Box 2: 12 | ||||||||||||||
Thomas Birch, 1838 | |||||||||||||||
Fairmount Waterworks |
Box 2: 13 | ||||||||||||||
Thomas Birch, n.d. | |||||||||||||||
Philadelphia Waterworks |
Box 2: 14 | ||||||||||||||
Artist Unknown, 1836 | |||||||||||||||
Covered Bridge at Fairmount |
Box 2: 15 | ||||||||||||||
Henry Warren, 1835 | |||||||||||||||
Fairmount Water Works |
Box 2: 16 | ||||||||||||||
T. Henry Smith | |||||||||||||||
View of Chain Bridge |
Box 2: 17 | ||||||||||||||
Artist Unknown, n.d. (4/C transparency) | |||||||||||||||
Fairmount and Schuylkill River |
Box 2: 18 | ||||||||||||||
William Groombridge, 1800 | |||||||||||||||
View of the Schuylkill |
Box 2: 19 | ||||||||||||||
William Groombridge, 1800 | |||||||||||||||
Gray's Ferry Bridge |
Box 2: 20 | ||||||||||||||
William Groombridge, n.d. | |||||||||||||||
View from Belmont |
Box 2: 21 | ||||||||||||||
William Birch, n.d. | |||||||||||||||
Market Street Bridge |
Box 2: 22 | ||||||||||||||
John James Barralet, n.d. | |||||||||||||||
Falls of the Schuylkill |
Box 2: 23 | ||||||||||||||
George Isham Parkyns, 1810 | |||||||||||||||
Chain Bridge at the Falls of the Schuylkill |
Box 2: 24 | ||||||||||||||
Thomas Birch, 1812 | |||||||||||||||
View of the Schuylkill |
Box 2: 25 | ||||||||||||||
John Neagle, 1827 | |||||||||||||||
View from Belmont Mansion, Fairmount Park |
Box 2: 26 | ||||||||||||||
John Neagle, n.d. | |||||||||||||||
Upper Ferry Bridge |
Box 2: 27 | ||||||||||||||
Thomas Birch, 1813 | |||||||||||||||
On the Schuylkill |
Box 2: 28 | ||||||||||||||
James Peale, 1830 | |||||||||||||||
Permanent Bridge at Market Street |
Box 2: 29 | ||||||||||||||
Henry Warren, n.d. | |||||||||||||||
Columbia Bridge, Schuylkill River |
Box 2: 30 | ||||||||||||||
Augustus Kollner, 1887 | |||||||||||||||
Market Street and Suspension Bridges |
Box 2: 31 | ||||||||||||||
Augustus Kollner, 1887 | |||||||||||||||
Philadelphia From Belmont Plateau |
Box 2: 32 | ||||||||||||||
Edward Moran, 1862 | |||||||||||||||
Autumn Morning, Fairmount Park |
Box 2: 33 | ||||||||||||||
Robert Craig, 1870 | |||||||||||||||
View from West Laurel Hill Looking Down the Schuylkill |
Box 2: 34 | ||||||||||||||
Thomas Moran, 1870 | |||||||||||||||
View from West Laurel Hill Looking Up the Schuylkill |
Box 2: 35 | ||||||||||||||
Thomas Moran, 1870 | |||||||||||||||
Schuylkill River |
Box 2: 36 | ||||||||||||||
Thomas J. Fenimore, 1865 | |||||||||||||||
Philadelphia From Belmont |
Box 2: 37 | ||||||||||||||
Edmund Darch Lewis, n.d. | |||||||||||||||
e. Wissahickon and Germantown | |||||||||||||||
Market Square, Germantown |
Box 2: 38 | ||||||||||||||
William Britton, 1820 | |||||||||||||||
View of Garden at Belfield |
Box 2: 39 | ||||||||||||||
Charles Wilson Peale, c. 1815 | |||||||||||||||
Country Lane at Belfield |
Box 2: 40 | ||||||||||||||
Charles Wilson Peale, n.d. | |||||||||||||||
Germantown Mill Scene |
Box 2: 41 | ||||||||||||||
Charles Wilson Peale, 1816-19 | |||||||||||||||
Germantown Mill Scene |
Box 2: 42 | ||||||||||||||
Charles Wilson Peale, 1816-19 | |||||||||||||||
Meadow and Road in Germantown |
Box 2: 43 | ||||||||||||||
Charles Wilson Peale, 1816-19 | |||||||||||||||
Garden Gate at Belfield |
Box 2: 44 | ||||||||||||||
Charles Wilson Peale, 1816-19 | |||||||||||||||
View of the Wissahickon |
Box 2: 45 | ||||||||||||||
James Peale, 1830 | |||||||||||||||
Wissahickon |
Box 2: 46 | ||||||||||||||
James Peale, n.d. | |||||||||||||||
On the Wissahickon |
Box 2: 47 | ||||||||||||||
James Peale, 1830 | |||||||||||||||
Railroad and Horses Near Germantown |
Box 2: 48 | ||||||||||||||
Newbold H. Trotter, 1860 | |||||||||||||||
View in Germantown |
Box 2: 49 | ||||||||||||||
W. T. Richards, 1861 | |||||||||||||||
Washington's Residence in Germantown |
Box 2: 50 | ||||||||||||||
Isaac L. Williams, n.d. | |||||||||||||||
Robert's Mill |
Box 2: 51 | ||||||||||||||
Isaac L. Williams, n.d. | |||||||||||||||
Wissahickon |
Box 2: 52 | ||||||||||||||
Russell Smith, 1857 | |||||||||||||||
Birthplace of William Kulp |
Box 2: 53 | ||||||||||||||
Edward Lamson Henry, 1869 | |||||||||||||||
The Wissahickon |
Box 2: 54 | ||||||||||||||
William T. Richards, 1872 | |||||||||||||||
Devil's Glen in the Wissahickon |
Box 2: 55 | ||||||||||||||
John Moran, 1888 | |||||||||||||||
The Falls of Wissahickon Creek at Ridge Avenue |
Box 2: 56 | ||||||||||||||
John Moran, 1888 | |||||||||||||||
Cliveden, The Chew House |
Box 2: 57 | ||||||||||||||
Paul Weber, 1856 | |||||||||||||||
Cliveden, The Chew House |
Box 2: 58 | ||||||||||||||
Russell Smith, 1843 | |||||||||||||||
Germantown Residence |
Box 2: 59 | ||||||||||||||
Edward Lamson Henry, n.d. | |||||||||||||||
f. Sporting scenes | |||||||||||||||
In Full Cry |
Box 2: 60 | ||||||||||||||
Thomas Doughty, 1825 | |||||||||||||||
Trotting Race at Hunting Park |
Box 2: 61 | ||||||||||||||
R. S. Hillman, 1831 | |||||||||||||||
Dr. Dickinson Logan's Daughter with her Riding Master |
Box 2: 62 | ||||||||||||||
Henri Delattre, n.d. (no text) | |||||||||||||||
Mac and Zachary Taylor at the Hunting Park Course... |
Box 2: 63 | ||||||||||||||
Henri Delattre, [1849] | |||||||||||||||
Thoroughbreds |
Box 2: 64 | ||||||||||||||
Edward Troye, 1832 | |||||||||||||||
Duck Shooting View on the Delaware River |
Box 2: 65 | ||||||||||||||
Thomas Birch, 1827 | |||||||||||||||
Philadelphia from Petty's Island |
Box 2: 66 | ||||||||||||||
Thomas Birch, 1825 | |||||||||||||||
Boathouse at Fairmount |
Box 2: 67 | ||||||||||||||
Loemans, 1863 | |||||||||||||||
Skating on the Wissahickon River Near Philadelphia |
Box 2: 68 | ||||||||||||||
J. M. Culverhouse, 1875 | |||||||||||||||
Skating |
Box 2: 69 | ||||||||||||||
Thomas Birch, 1830 | |||||||||||||||
Skating on the Schuylkill |
Box 2: 70 | ||||||||||||||
William E. Winner, 1866 | |||||||||||||||
Old West Philadelphia Skating Rink |
Box 2: 71 | ||||||||||||||
G. F. Bensell, n.d. | |||||||||||||||
Skating at Kelley's Dam, Germantown |
Box 2: 72 | ||||||||||||||
Christian Schuessle and Paul Weber, 1856 | |||||||||||||||
Skating on the Schuylkill |
Box 2: 73 | ||||||||||||||
W. H. Willcox, 1875 | |||||||||||||||
Through the Winter Woods Near the Wissahickon |
Box 2: 74 | ||||||||||||||
J. S. Hill, 1874 | |||||||||||||||
Sleigh and Trotter in the Snow |
Box 2: 75 | ||||||||||||||
Henry Collins Bispham, 1877 | |||||||||||||||
The Sleigh Race |
Box 2: 76 | ||||||||||||||
Charles S. Humphreys, n.d. | |||||||||||||||
J. Frank Bower and His Double Team |
Box 2: 77 | ||||||||||||||
Charles S. Humphreys [c.1875] | |||||||||||||||
Belmont Driving Association Trotter |
Box 2: 78 | ||||||||||||||
Charles S. Humphreys, 1876 | |||||||||||||||
The Trotter |
Box 2: 79 | ||||||||||||||
Attributed to Charles S. Humphreys, n.d. | |||||||||||||||
Fairmount Water Works and Boat House Row |
Box 2: 80 | ||||||||||||||
Artist Unknown, n.d. | |||||||||||||||
Between Rounds |
Box 2: 81 | ||||||||||||||
Thomas Eakins, 1899 | |||||||||||||||
Taking the Count |
Box 2: 82 | ||||||||||||||
Thomas Eakins, 1898 | |||||||||||||||
Max Schmitt in a Single Scull |
Box 2: 83 | ||||||||||||||
Thomas Eakins, 1871 | |||||||||||||||
The Biglen Brothers Racing |
Box 2: 84 | ||||||||||||||
Thomas Eakins, n.d. | |||||||||||||||
Sailboats (Hikers) Racing on the Delaware |
Box 2: 85 | ||||||||||||||
Thomas Eakins, n.d. | |||||||||||||||
The Fairman Rogers Four-in-Hand |
Box 2: 86 | ||||||||||||||
Thomas Eakins, 1879 | |||||||||||||||
The Pigeon Shoot |
Box 2: 87 | ||||||||||||||
Hermon Simon, 1878 | |||||||||||||||
g. Country houses | |||||||||||||||
The Woodlands |
Box 3: 1 | ||||||||||||||
William Groombridge, 1793 | |||||||||||||||
Lemon Hill |
Box 3: 2 | ||||||||||||||
John A. Woodside, 1807 | |||||||||||||||
Lemon Hill |
Box 3: 3 | ||||||||||||||
Artist Unknown, 1840 | |||||||||||||||
Chalkley Hall |
Box 3: 4 | ||||||||||||||
Artist Unknown, 1800 | |||||||||||||||
Chalkley Hall |
Box 3: 5 | ||||||||||||||
G. L. Miller, 1850 | |||||||||||||||
The Solitude |
Box 3: 6 | ||||||||||||||
Thomas Birch, 1808 | |||||||||||||||
House of Dr. William Smith |
Box 3: 7 | ||||||||||||||
Attributed to William Birch, n.d. | |||||||||||||||
Lancaster Pike |
Box 3: 8 | ||||||||||||||
Thomas Birch, 1816 | |||||||||||||||
James Craig House |
Box 3: 9 | ||||||||||||||
Thomas Birch, 1820 | |||||||||||||||
Mill Grove |
Box 3: 10 | ||||||||||||||
Thomas Birch, 1830 | |||||||||||||||
The Lownes Taylor Farm |
Box 3: 11 | ||||||||||||||
Bass Otis, 1832 | |||||||||||||||
Andalusia |
Box 3: 12 | ||||||||||||||
Artist Unknown, 1840 | |||||||||||||||
Edgehill |
Box 3: 13 | ||||||||||||||
John G. Powell, 1855 | |||||||||||||||
Edgehill |
Box 3: 14 | ||||||||||||||
Russell Smith, 1855 | |||||||||||||||
Pine Grove |
Box 3: 15 | ||||||||||||||
Russell Smith, 1855 | |||||||||||||||
Peel Hall |
Box 3: 16 | ||||||||||||||
Paul Weber, 1856 | |||||||||||||||
Wider House |
Box 3: 17 | ||||||||||||||
William E. Winner, 1846 | |||||||||||||||
Farm Scene Near Germantown |
Box 3: 18 | ||||||||||||||
Emile F. Beaulieu, 1857 | |||||||||||||||
Old Tavern Near Philadelphia (Winter Scene Near Philadelphia) |
Box 3: 19 | ||||||||||||||
W. deV. Bonfield, n.d. | |||||||||||||||
Winter Scene |
Box 3: 20 | ||||||||||||||
Thomas Birch, n.d. | |||||||||||||||
Sleigh Ride |
Box 3: 21 | ||||||||||||||
Thomas Birch, 1841 | |||||||||||||||
League Island Farm |
Box 3: 22 | ||||||||||||||
Thomas Birch, n.d. | |||||||||||||||
Philadelphia, 1854 |
Box 3: 23 | ||||||||||||||
William T. Richards, 1854 | |||||||||||||||
Cherry Grove |
Box 3: 24 | ||||||||||||||
Edward Lamson Henry, 1859 | |||||||||||||||
Fairy Hill |
Box 3: 25 | ||||||||||||||
Russell Smith, 1862 | |||||||||||||||
Paschall Homestead |
Box 3: 26 | ||||||||||||||
William T. Richards, 1870 | |||||||||||||||
Near Hatboro |
Box 3: 27 | ||||||||||||||
Russell Smith, 1868 | |||||||||||||||
Stenton |
Box 3: 28 | ||||||||||||||
Isaac L. Williams, 1876 | |||||||||||||||
The Woodlands |
Box 3: 29 | ||||||||||||||
Isaac L. Williams, [1880] | |||||||||||||||
Montgomery County Almshouse |
Box 3: 30 | ||||||||||||||
C. Hofmann, 1878 | |||||||||||||||
St. Peter's Church |
Box 3: 31 | ||||||||||||||
Xanthus Smith, 1885 | |||||||||||||||
h. Genre | |||||||||||||||
The Staircase Group |
Box 3: 32 | ||||||||||||||
Charles Wilson Peale, 1795 | |||||||||||||||
The Artist in His Museum |
Box 3: 33 | ||||||||||||||
Charles Wilson Peale, 1822 | |||||||||||||||
James Peale |
Box 3: 34 | ||||||||||||||
Charles Wilson Peale, 1822 | |||||||||||||||
Quilting Frolic |
Box 3: 35 | ||||||||||||||
John Lewis Krimmel, 1813 | |||||||||||||||
Country Wedding |
Box 3: 36 | ||||||||||||||
John Lewis Krimmel, 1814 | |||||||||||||||
Country Tavern: Arrival of the Post with News of Peace |
Box 3: 37 | ||||||||||||||
John Lewis Krimmel, n.d. | |||||||||||||||
Country Frolic and Dance |
Box 3: 38 | ||||||||||||||
John Lewis Krimmel, 1819 | |||||||||||||||
Cherry Seller |
Box 3: 39 | ||||||||||||||
John Lewis Krimmel, n.d. | |||||||||||||||
Bishop White's Study |
Box 3: 40 | ||||||||||||||
John Sartain, [1836] | |||||||||||||||
Winter |
Box 3: 41 | ||||||||||||||
Thomas Birch, 1838 | |||||||||||||||
Howell Evans in His Printing Studio |
Box 3: 42 | ||||||||||||||
Robert Street, 1848 | |||||||||||||||
The Pie Man |
Box 3: 43 | ||||||||||||||
William E. Winner, 1856 | |||||||||||||||
Crazy Nora |
Box 3: 44 | ||||||||||||||
William E. Winner, 1854 | |||||||||||||||
Newsboy |
Box 3: 45 | ||||||||||||||
William E. Winner, 1865 | |||||||||||||||
Winter Street Scene |
Box 3: 46 | ||||||||||||||
William E. Winner, 1847 | |||||||||||||||
View of Philadelphia From Fairmount Park |
Box 3: 47 | ||||||||||||||
William E. Winner, n.d. (no text) | |||||||||||||||
Home From School |
Box 3: 48 | ||||||||||||||
William E. Winner, 1865 | |||||||||||||||
The Skaters |
Box 3: 49 | ||||||||||||||
William E. Winner, [1869] | |||||||||||||||
Philadelphia Post Office |
Box 3: 50 | ||||||||||||||
Tompkins H. Matteson, 1856 | |||||||||||||||
The Old Clock on the Stairs |
Box 3: 51 | ||||||||||||||
Edward Lamson Henry, 1863 | |||||||||||||||
The Library Company |
Box 3: 52 | ||||||||||||||
George B. Wood, Jr., 1875 | |||||||||||||||
Library of Henry C. Carey |
Box 3: 53 | ||||||||||||||
George B. Wood, Jr., 1879 | |||||||||||||||
Dining Room-Study of Dr. Thomas S. Kirkbridge |
Box 3: 54 | ||||||||||||||
Liberty Tadd, n.d. | |||||||||||||||
Fifteenth Amendment, or Civil Rights |
Box 3: 55 | ||||||||||||||
George B. Wood, [c. 1880] | |||||||||||||||
The Historical Society |
Box 3: 56 | ||||||||||||||
Isaac L. Williams, 1884 | |||||||||||||||
William Rush Carving his Allegorical Figure of The Spirit of the Schuylkill |
Box 3: 57 | ||||||||||||||
Thomas Eakins, 1877 | |||||||||||||||
The Agnew Clinic |
Box 3: 58 | ||||||||||||||
Thomas Eakins, 1889 | |||||||||||||||
The Anatomical Lecture |
Box 3: 59 | ||||||||||||||
Charles H. Stephens, 1879 | |||||||||||||||
Anatomical Studies |
Box 3: 60 | ||||||||||||||
Charles L. Fussell, 1879 | |||||||||||||||
The Dissecting Room |
Box 3: 61 | ||||||||||||||
Thomas Anshutz, n.d. | |||||||||||||||
Female Life Class |
Box 3: 62 | ||||||||||||||
Alice Barbar (Mrs. Charles H. Stephens), 1879 | |||||||||||||||
Breaking the Home Ties |
Box 3: 63 | ||||||||||||||
Thomas Hovenden, 1890 | |||||||||||||||
Village Blacksmith |
Box 3: 64 | ||||||||||||||
Thomas Hovenden, n.d. | |||||||||||||||
Bringing Home the Bride |
Box 3: 65 | ||||||||||||||
Thomas Hovenden, 1893 | |||||||||||||||
Their Pride |
Box 3: 66 | ||||||||||||||
Thomas Hovenden, n.d. | |||||||||||||||
The Revised Version |
Box 3: 67 | ||||||||||||||
Thomas Hovenden, 1891 | |||||||||||||||
Mounted Trooper |
Box 3: 68 | ||||||||||||||
F. D. Briscoe, 1892 | |||||||||||||||
First Troop Philadelphia City Cavalry |
Box 3: 69 | ||||||||||||||
Carl J. Becker, 1899 | |||||||||||||||
i. Painting worksheets | |||||||||||||||
Inness, George to Peale, Charles Wilson |
Box 3: 70 | ||||||||||||||
Peale, James to Troye, Edward |
Box 3: 71 | ||||||||||||||
Trumbull, John to Woodside, John A. |
Box 3: 72 |
Series 2. "Collections of The Historical Society of Pennsylvania: 1824-1974" | |||||||||||||||
Title page through page 43 |
Box 4: 1 | ||||||||||||||
Pages 44-112 |
Box 4: 2 |
Series 3. A Study of Rembrandt Peale | |||||||||||||||
a. Research notes | |||||||||||||||
Notes of the Painting Room |
Box 5: 1 | ||||||||||||||
Published Intro. and Pages 1-65 | |||||||||||||||
Notes of the Painting Room |
Box 5: 2 | ||||||||||||||
Pages 66-174 | |||||||||||||||
Notes of the Painting Room |
Box 5: 3 | ||||||||||||||
Pages 175-Index | |||||||||||||||
Notes of the Painting Room |
Box 5: 4 | ||||||||||||||
Miscellaneous Notes and Correspondence | |||||||||||||||
Unidentified Manuscript about Painting |
Box 5: 5 | ||||||||||||||
b. Reproductions | |||||||||||||||
Caption Figure 1.
Mounting the Great Skeleton | 1801 |
Box 5: 6 | |||||||||||||
Figure 2.
Roman Daughter | 1812 |
Box 5: 7 | |||||||||||||
Figure 3.
Court of Death | 1820 |
Box 5: 8 | |||||||||||||
Figure 4.
Washington at Yorktown | 1824-25 |
Box 5: 9 | |||||||||||||
Figure 5.
Rubens Peale with a Geranium | 1801 |
Box 5: 10 | |||||||||||||
Figure 6.
Thomas Jefferson | 1805 |
Box 5: 11 | |||||||||||||
Figure 7.
Jacques Henri de Bernardin de Sainte Pierre | 1808 |
Box 5: 12 | |||||||||||||
Figure 8.
Isaac McKim | c. 1815 |
Box 5: 13 | |||||||||||||
1.
Self-Portrait | 1791 |
Box 5: 14 | |||||||||||||
2.
Washington | 1795 |
Box 5: 15 | |||||||||||||
3.
T. Sumter | 1796 |
Box 5: 16 | |||||||||||||
4.
Mrs. Marbury | 1797 |
Box 5: 17 | |||||||||||||
5.
Raborg | 1797 |
Box 5: 18 | |||||||||||||
6.
Sir Joseph Banks | 1803 |
Box 5: 19 | |||||||||||||
7.
William Findlay | 1805 |
Box 5: 20 | |||||||||||||
8.
William Short | 1806 |
Box 5: 21 | |||||||||||||
9.
Machaux | 1810 |
Box 5: 22 | |||||||||||||
10.
Gay-Lussac | 1810 |
Box 5: 23 | |||||||||||||
11.
Sculpture | c. 1812 |
Box 5: 24 | |||||||||||||
11.
Painting | c. 1812 |
Box 5: 25 | |||||||||||||
12.
C.W. Peale | 1812 |
Box 5: 26 | |||||||||||||
13.
Godefroy | c. 1815 |
Box 5: 27 | |||||||||||||
14.
Smith | c. 1817-18 |
Box 5: 28 | |||||||||||||
15.
R. Peale | 1820 |
Box 5: 29 | |||||||||||||
16.
Mitchill | 1822 |
Box 5: 30 | |||||||||||||
17.
Clinton | 1823 |
Box 5: 31 | |||||||||||||
18.
Patriae Pater | 1824 |
Box 5: 32 | |||||||||||||
19.
Eleanor and Rosalba | 1826 |
Box 5: 33 | |||||||||||||
20.
Angel | 1829 |
Box 5: 34 | |||||||||||||
21.
Greenough | 1829 |
Box 5: 35 | |||||||||||||
22.
Madonna | c. 1830 |
Box 5: 36 | |||||||||||||
23.
Rubens Peale | 1834 |
Box 5: 37 | |||||||||||||
24.
Eleanor Peale | 1836 |
Box 5: 38 | |||||||||||||
25.
Woman with a Turbun |
Box 5: 39 | ||||||||||||||
26.
Townsend | 1844 |
Box 5: 40 | |||||||||||||
27.
Washington/Equestrian | 1850 |
Box 5: 41 | |||||||||||||
28.
Washington | 1855 |
Box 5: 42 | |||||||||||||
28.
M. Washington | c. 1853 |
Box 5: 43 | |||||||||||||
28.
Washington/Houdon | 1857 |
Box 5: 44 | |||||||||||||
28.
Washington/Stuart | c. 1857 |
Box 5: 45 | |||||||||||||
29.
Landscape | 1854 |
Box 5: 46 | |||||||||||||
30.
Self-Portrait | 1856 |
Box 5: 47 |