Mary Elizabeth Hallock Greenewalt papers
Musical Edition
Collection 0867
( Bulk, 1879-1950 ) 1769-1950, undated(18.2 Linear feet ; 39 boxes, 29 volumes, 23 flat files)
Table of Contents
- Summary Information
- Background note
- Scope and Content
- Overview of Arrangement
- Administrative Information
- Related Materials
- Controlled Access Headings
- Bibliography
- Collection Inventory
- Series I: General Files
- Series II: Color Organ
- Series III: Legal
- Series IV: Writings
- Series V: Printed Material
- Series VI: Photographs
- Series VII: Artifacts, Scrapbooks, Paintings, Drawing, Blueprints
- Appendix
Series II
Color Organ 1903-1943 ; 2 boxes, 2 flat filesScope and ContentsBox 12 serves as the heart of this series in that it contains Greenewalt’s sketches, calculations, and notes for the rheostat and the slider which produced the gradated color operations and formed the basis of her early patent applications. Of particular interest are five files of “Notes on Color Light Play” containing drawings and commentary which offer a history of the color organ’s conception and development and refute others’ claims to similar inventions. This box also contains an unedited 1940 typescript of The Fine Art of Nourathar. In addition, a folder titled “Miscellaneous Correspondence and Legal Papers” contains the copy of a January 12, 1941, letter to the publishers, Messrs. Simon and Shuster, regarding Walt Disney’s Fantasia by Deems Taylor (1940). In this letter Greenewalt claims to hold priority in creating painted films. Box 14 of this series contains additional writings, correspondence, and sketches concerning the color organ’s design. Also included are notes on choosing a name for the new art, a copy of a light score for Beethoven’s “Moonlight Sonata” for use with the Sarabet (Greenewalt’s name for the color-organ) and a teaching manual for the color organ entitled “Text Book for Light Color Play: Instruction.” Flat files in this series contain color organ sketches and blueprints. Musical Guide by Maurice WrightMusic may take a moment to load, so please be patient if it does not play immedietly upon opening a series. The video you are currently watching and listening to, entitled "Light-Color Play," was created by Maurice Wright and was inspired by materials within this series. The painted board featured in the video was made by Mary Elizabeth Hallock Greenwalt and can be found in Box 12, Folder 3 of this collection. Maurice Wright was born in 1949 in Front Royal, Virginia, a small town situated between the forks of the Shenandoah River and near the Blue Ridge Mountains; he began composing at age 10. He attended Duke University and Columbia University, where he explored diverse interests that included music composition, computer science and film. Wright was introduced to the craft and technology of film when he met Director Gene Searchinger in 1976 and contributed an electronic score for an unusual film about recycled aluminum, "Metallic Tales: The Social Life of a Non-Ferrous Metal," which received a Golden Eagle Award. Over the next two decades Wright continued to work with Searchinger, most recently contributing music and special sound for the three-program series about linguistics, "The Human Language," broadcast in the United States and Japan. You can learn more at www.mauricewright.org |
||||
Box | Folder | |||
Autograph Collection, The Historical Society of Pennsylvania 1932-1933 |
12 | 1 | ||
Miscellaneous Correspondence and Legal Papers 1837, 1943, undated |
12 | 2 | ||
Notes, Sketches, Material Samples for Light Color Player undated |
12 | 3 | ||
Oversize | ||||
Notes, Sketches, Material Samples for Light Color Player undated |
Flat File 8 | |||
Box | Folder | |||
"The Fine Art of Nourathar" 1940 |
12 | 4 | ||
"Nourathar" 1926-1942, undated |
12 | 5 | ||
"Nourathar" - An Account of the Color Organ 1937-1942, undated |
12 | 6 | ||
Drawings and Sketches, A Fine New Art 1919-1920, undated |
12 | 7 | ||
Notes on Light Color Play - 1 1903-1935, undated |
12 | 8 | ||
Notes on Light Color Play - 2 1915-1919, undated |
12 | 9 | ||
Notes on Light Color Play - 3 1921, undated |
12 | 10 | ||
Notes on Light Color Play - 4 1923-1924, undated |
12 | 11 | ||
Notes on Light Color Play - 5 1919, 1923, undated |
12 | 12 | ||
Patent Materials - 1 1919-1923, undated |
12 | 13 | ||
Patent Materials - 2 1920-1924, undated |
12 | 14 | ||
Oversize | ||||
"Development of Ellipdomeria" drawing and blueprint 1921 |
Flat File 9 | |||
Box | Folder | |||
Originals, Color Organ Box undated |
12 | 15 | ||
Patterns for Light Color Player undated |
12 | 16 | ||
Instructions for "B1 Type Keys" 1923, undated |
12 | 17 | ||
Box | ||||
B1 Type Keys undated |
39 | |||
Box | Folder | |||
Light Control, Rheostat Designs, Lamp Designs, Color Sequencing 1918, 1920, 1928, undated |
13 | 1 | ||
Sarabet Light Player, Design, Color Scoring, Instructions for Playing 1919-1921 |
13 | 2 | ||
Major Light Controls, Sketches and Notes 1923 |
13 | 3 | ||
Correspondence with Mr. Randa, Specifications for Rheostat for Light Player 1919 |
13 | 4 | ||
Light and Rhythm Color Scale, Stanley Theatre, April 6, 1928 1928 |
13 | 6 | ||
Light Control, Rheostat Designs, Lamp Designs, Color Sequencing, Originals 1918, 1920, undated |
13 | 7 | ||
Sarabet Light Player, Design, Color Scoring, Instructions for Playing, Originals 1919-1921 |
13 | 8 | ||
Major Light Controls, Sketches and Notes, Originals 1923 |
13 | 9 | ||
Originals, Correspondence with Mr. Randa, Specifications for Rheostat for Light Player 1919 |
13 | 10 | ||
Correspondence on Color Lamp Assembly, Originals 1920-1925 |
13 | 11 | ||
|